"Days of Wine and Roses" by Billy Eckstine had its release date on January 1, 2002. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Days of Wine and Roses's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Now Singing in 12 Great Movies". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Days of Wine and Roses is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Days of Wine and Roses by Billy Eckstine having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 'Round Midnight | Betty Carter | B♭ Minor | 1 | 3A | 51 BPM | ||
| (It Will Have To Do) Until The Real Thing Comes Along | Dakota Staton | A Major | 2 | 11B | 67 BPM | ||
| Blusette | Ann Hampton Callaway | A♭ Major | 4 | 4B | 99 BPM | ||
| Baby Won't You Please Come Home | Naama | C Major | 1 | 8B | 134 BPM | ||
| The Folks Who Live on the Hill | Ann Hampton Callaway | G Major | 1 | 9B | 114 BPM | ||
| This Could Be The Start Of Something Big | Lorez Alexandria | B♭ Minor | 5 | 3A | 128 BPM | ||
| I Remember You | Helen O'Connell | E♭ Major | 0 | 5B | 138 BPM | ||
| A Blossom Fell | Sue Raney | D Minor | 2 | 7A | 132 BPM | ||
| How Important Can It Be - Remastered | Joni James | D♭ Major | 3 | 3B | 87 BPM | ||
| I've Got A Crush On You | Dorothy Dandridge | G Minor | 1 | 6A | 131 BPM | ||
| I Wished On The Moon | Billy Eckstine | A♭ Major | 1 | 4B | 118 BPM | ||
| I Love Paris | Annie Ross | B♭ Major | 1 | 6B | 140 BPM | ||
| Tea For You | Carmen McRae | F Major | 2 | 7B | 111 BPM | ||
| Waiter, Ask The Man To Play The Blues | Ferber, Hunt, Travers, Freddy Cole | G Minor | 1 | 6A | 81 BPM | ||
| A Stranger In Town | Martha Tilton, Eddie Miller | A♭ Major | 1 | 4B | 75 BPM | ||
| It's Been a Long, Long Time | Jane Morgan | B♭ Major | 1 | 6B | 73 BPM | ||
| There's A Lull In My Life | Ella Fitzgerald | G Minor | 2 | 6A | 123 BPM | ||
| Satin Doll | Lorez Alexandria | A Minor | 2 | 8A | 121 BPM | ||
| As Time Goes By | Billie Holiday | E Minor | 1 | 9A | 78 BPM | ||
| We'll Be Together Again | Anita O'Day, Oscar Peterson Quartet | G Major | 1 | 9B | 117 BPM | ||
| In the Night | Dakota Staton | F♯ Minor | 2 | 11A | 78 BPM | ||
| All About Ronnie | Chris Connor | B♭ Major | 2 | 6B | 140 BPM | ||
| I Got It Bad (And That Ain't Good) | Nat King Cole, George Shearing | E Minor | 1 | 9A | 75 BPM | ||
| Skylark | Hoagy Carmichael | D♭ Major | 1 | 3B | 70 BPM | ||
| What's Right For You | Irene Kral | B♭ Minor | 4 | 3A | 63 BPM |