Anonymous, Belfast Cathedral Choir, Ian Barber, Philip Stopford's 'Lasst uns erfreuen "Ye Watchers and Ye Holy Ones" (Arr. R. Vaughan Williams for Choir & Organ)' had a release date set for January 11, 2005. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "The Complete New English Hymnal, Vol. 22". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United Kingdom. Lasst uns erfreuen "Ye Watchers and Ye Holy Ones" (Arr. R. Vaughan Williams for Choir & Organ) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lasst uns erfreuen "Ye Watchers and Ye Holy Ones" (Arr. R. Vaughan Williams for Choir & Organ) by Anonymous, Belfast Cathedral Choir, Ian Barber, Philip Stopford having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crotch: Palestine: No. 26, Chorus, "Lo! star-led chiefs Assyrian odours bring" | William Crotch, St. Paul's Cathedral Choir, Harry Gabb, Dr John Dykes Bower | G Major | 2 | 9B | 102 BPM | ||
| Psalm 10 "Why Standest Thou So Far Off, O Lord" | Percy C. Buck, Robert Ashfield, Rochester Cathedral Choir, Roger Sayer, Barry Ferguson | C Major | 1 | 8B | 79 BPM | ||
| Exsultet | John Repulski, Karl Blume, John Strege | G Minor | 1 | 6A | 76 BPM | ||
| Immortal Invisible | The Scottish Festival Singers | A Major | 2 | 11B | 100 BPM | ||
| All Hail, Adored Trinity | Louis Bourgeois, Robert E. Kreutz | G Major | 1 | 9B | 96 BPM | ||
| Hallelujah Chorus/All Glory, Laud And Honor/Holy, Holy, Holy (Medley) | Billy Ray Hearn, Tom Fettke | G Major | 2 | 9B | 98 BPM | ||
| Gaudeamus | Anonymous, Schola of Saint John's Abbey and University | D♭ Minor | 2 | 12A | 135 BPM | ||
| Jesus Christ is Risen Today | Basilica of the National Shrine of the Immaculate Conception Choir | F Major | 2 | 7B | 74 BPM | ||
| Psalm 8: Psalm VIII | Henry Lawes, Choir of St John's, Elora, Michael Bloss, Noel Edison | B♭ Major | 1 | 6B | 137 BPM | ||
| The God of Abraham Praise | Anonymous, Norwich Cathedral Choir, Simon Johnson, Neil Taylor | A♭ Major | 1 | 4B | 89 BPM | ||
| I Bind Unto Myself Today | The Choir of Trinity College, Melbourne, Jonathan Bradley, Michael Leighton Jones | G Minor | 3 | 6A | 150 BPM | ||
| Guide Me O Thou Great Jehova | Swansea Gospel Male Voice Choir | A Major | 4 | 11B | 82 BPM | ||
| Tui sunt caeli - Offertorium/In Nativitate Domini ad Missam in die | Gregorian Chant, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J. | G Major | 1 | 9B | 110 BPM | ||
| Psalm 139 | O God You search me | Christelijk koor Jigdaljahu, Mark Brandwijk, Marco den Toom, Bert Noteboom, Lennart Morée, Arjan Wouters | F Major | 2 | 7B | 89 BPM | ||
| Lift Up Your Heads, Ye Mighty Gates | George Weissel, Lowell Mason, Catherine Winkworth | C Major | 1 | 8B | 73 BPM | ||
| The Joys of Mary | Anonymous, The Cathedral Singers, Richard Proulx, Stefan Engels | B Minor | 3 | 10A | 82 BPM | ||
| Psalm 46C (God Is Our Refuge and Our Strength) | Trinity Psalter Hymnal | D Major | 1 | 10B | 114 BPM | ||
| Laudate, Laudate Dominum | Christopher Walker | G Major | 3 | 9B | 147 BPM | ||
| Before Action | Hilgrove Kenrick, Ǣfendrēama, Chloe May Evans | F Minor | 2 | 4A | 67 BPM | ||
| To Jesus Christ, Our Sovereign King | Martin B. Hellriegel | F Major | 1 | 7B | 96 BPM | ||
| Wesley: Lo! He Comes with Clouds Descending (Helmsley) - 1. Lo! He Comes with Clouds Descending | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | G Major | 1 | 9B | 131 BPM | ||
| Abbots Leigh "Glorious Things of Thee Are Spoken" | Cyril Taylor, Truro Cathedral Choir, Simon Morley, Andrew Nethsingha | D Major | 2 | 10B | 77 BPM | ||
| Unde et memores "And Now, O Father, Mindful of the Love" | William Henry Monk, The Chapel Choir of Marlborough College, Ian Crabbe, Robin Nelson | G Major | 1 | 9B | 77 BPM | ||
| In His Hands | Canadian Staff Songsters | C Minor | 2 | 5A | 77 BPM | ||
| Sitting At The Feet Of Jesus (Live) | Christelijk Mannenkoor Soli Deo Gloria Urk, Jaap Kramer, Harm Hoeve, Johan Bredewout | A♭ Major | 2 | 4B | 85 BPM |