- BPM
- 110
- Key
- D♭ Major
- Camelot
- 3B
Pinocchio by Massimo Colombo Song Details
Massimo Colombo's ' "Pinocchio" was released on its scheduled release date, May 13, 2019. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 8 in Acoustic Weather (The Music of Weather Report) by Massimo Colombo. In terms of popularity, Pinocchio is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
The tempo marking of Pinocchio by Massimo Colombo is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -13.311 dB
- Acousticness
- 54%
- Danceability
- 53%
- Energy
- 41%
- Instrumentalness
- 86%
- Liveness
- 10%
- Loudness
- 78%
- Speechiness
- 3%
- Valence
- 62%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Mozarteum Orchestra Salzburg, Ivor Bolton | G Minor | 2 | 6A | 105 BPM | |
 | Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM | |
 | Turandot / Act 3: "Nessun dorma" | Giacomo Puccini, BBC Concert Orchestra, Barry Wordsworth | D Major | 3 | 10B | 90 BPM | |
 | Fantasía para un Gentilhombre: IIa. Españoleta | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Minor | 0 | 8A | 88 BPM | |
 | Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | |
 | Gymnopédie No. 3 | Erik Satie, Philippe Entremont | A Minor | 0 | 8A | 131 BPM | |
 | Prologue / Medieval Waters (From "In Bruges") | Brussells Philharmonic, Dirk Brossé | C Minor | 1 | 5A | 123 BPM | |
 | Forgotten Waltz No. 2 | Nicholas Britell | G Minor | 1 | 6A | 146 BPM | |
 | Cross tempo | Andrea Guerra | A♭ Major | 0 | 4B | 82 BPM | |
 | Cleopatra's Dream | Massimo Colombo, Maurizio Quintavalle, Enzo Zirilli | A♭ Minor | 4 | 1A | 86 BPM | |
 | II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | |
 | Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | |
 | Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Thema - Titelmusik | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | F Major | 0 | 7B | 70 BPM | |
 | Klavierkonzert Nr. 21 C-Dur, K. 467, "Elvira Madigan": 2. Andante (Elvira Madigan): II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | F Major | 0 | 7B | 126 BPM | |
 | Prestige | Philipp Alexander Geitmann | E♭ Minor | 1 | 2A | 106 BPM | |
 | Piazzolla: Libertango (Arr. Milone for Trumpet and Orchestra) | Alison Balsom | A Minor | 3 | 8A | 150 BPM | |
 | The Godfather: IV. Kay (From "The Godfather, Pt. II") | Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra | C Major | 0 | 8B | 82 BPM | |
 | Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | |
 | The Godfather: II. The Immigrant (From "The Godfather, Pt. II") | Nino Rota, Riccardo Muti, Massimo Colombo, Filarmonica della Scala, Milan La Scala Philharmonic Orchestra | F♯ Minor | 1 | 11A | 87 BPM | |
 | Desplat: The Grand Budapest Hotel | Alexandre Desplat, Emmanuel Pahud, Florentino Calvo, Orchestre National De France | F Major | 2 | 7B | 76 BPM | |
 | Betty et Zorg | Gabriel Yared | G Major | 0 | 9B | 79 BPM | |
 | The Piano: The Heart Asks Pleasure First | Michael Nyman, Valentina Lisitsa | A Minor | 0 | 8A | 159 BPM | |
 | Midnight Friends | Attie Esterhuizen, Bob Mintzer, The Cape Town Philharmonic Orchestra | E♭ Minor | 0 | 2A | 83 BPM | |
 | Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | |
 | Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records