Ronald Aspery's 'Neon City' had a release date set for May 15, 1988. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Neon City's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "The Blues Set". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Neon City is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Neon City by Ronald Aspery having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jenny May | Trader Horne | G Major | 6 | 9B | 87 BPM | ||
| The Bank Robbery | John Carpenter, Alan Howarth | B Minor | 3 | 10A | 115 BPM | ||
| Disruption | Nathan Johnson | A Major | 1 | 11B | 70 BPM | ||
| Happy Jose - Remastered | Kookie Freeman | D Minor | 6 | 7A | 200 BPM | ||
| Birdland | Ronald Aspery | G Major | 4 | 9B | 127 BPM | ||
| Tired Of Crying | Lil Ed & The Blues Imperials | G Major | 9 | 9B | 130 BPM | ||
| Akhnaten, Act II Scene 2: Akhnaten and Nefertiti | Philip Glass, Metropolitan Opera Orchestra and Chorus, Karen Kamensek, Anthony Roth Costanzo, J'nai Bridges, Zachary James, Metropolitan Opera Orchestra | C Major | 0 | 8B | 82 BPM | ||
| Glass Onion String Quartet in Bb Minor | Nathan Johnson | B♭ Minor | 7 | 3A | 90 BPM | ||
| Me and My Shadow | Sam Lanin & His Orchestra | B♭ Major | 3 | 6B | 116 BPM | ||
| A Gentleman After Dark | Gentlemen Afterdark | C Major | 9 | 8B | 157 BPM | ||
| The Touch Of You | Andrea Litkei, Ervin Litkei | B♭ Minor | 5 | 3A | 94 BPM | ||
| Stranger Things 5 Vol.1 Ending Theme - Epic Version | HamiitKh Music | G Minor | 6 | 6A | 121 BPM | ||
| Bubbles In the Wine | Lawrence Welk | A♭ Major | 2 | 4B | 175 BPM | ||
| Perilous Piers | Kristofer Maddigan | G Major | 5 | 9B | 150 BPM | ||
| Hello, Ma Baby | 1923 Autopiano Player Piano | F Major | 3 | 7B | 96 BPM | ||
| Crime and Robbery Music | Bobby Cole | E Minor | 4 | 9A | 140 BPM | ||
| A Confused Game | Sophia Domancich, Gilles Pezerat | D♭ Major | 9 | 3B | 126 BPM | ||
| Stranger Things - Vecna's Grandfather Clock Theme | L'Orchestra Cinematique | D♭ Major | 4 | 3B | 100 BPM | ||
| Black Cat Rag | Colin Hodgkinson, Ronald Aspery | F Major | 1 | 7B | 126 BPM | ||
| The Wild Ride - Midnight Run/Soundtrack Version | Danny Elfman | B♭ Major | 5 | 6B | 107 BPM | ||
| Nightclub Swing | Keith Nichols | G Minor | 4 | 6A | 204 BPM | ||
| Spy Glass | Kevin MacLeod | B Minor | 1 | 10A | 110 BPM | ||
| Harlem Jump | Jack Teagarden | F Minor | 4 | 4A | 115 BPM | ||
| Swing That Thing | Ronald Aspery | E♭ Major | 4 | 5B | 175 BPM | ||
| Lady De Luxe | Tony Hymas | C Major | 0 | 8B | 138 BPM |