"Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: I. Introduction" by Franz Schubert, Emmanuel Pahud, Eric Le Sage had its release date on January 1, 1994. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: I. Introduction's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Schubert: Introduction et variations D. 802, Sonate D. 821, sonatine D. 385". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: I. Introduction is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: I. Introduction by Franz Schubert, Emmanuel Pahud, Eric Le Sage having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
| Ellens Gesang III (Ave Maria), S558 no.12 (after Schubert’s D839) | Franz Liszt, Franz Schubert, Valentina Lisitsa | F♯ Major | 4 | 2B | 96 BPM | ||
| Sonata No. 13, Hob. XVI:6: III. Adagio | Joseph Haydn, Jean-Efflam Bavouzet | B♭ Major | 0 | 6B | 75 BPM | ||
| Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
| Andante Cantabile | Pyotr Ilyich Tchaikovsky, St. Lawrence String Quartet | B♭ Major | 0 | 6B | 90 BPM | ||
| Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Vladimir Ashkenazy | A♭ Major | 0 | 4B | 140 BPM | ||
| Souvenir d'un lieu cher, Op. 42: III. Mélodie (Ed. Herrmann) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | E♭ Major | 1 | 5B | 178 BPM | ||
| Concerto in D Minor, BWV 974: II. Adagio (Arr. for Cello and Piano by Mischa Maisky) | Johann Sebastian Bach, Mischa Maisky, Lily Maisky | B♭ Major | 3 | 6B | 139 BPM | ||
| 12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
| Valse Sentimentale | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D♭ Major | 0 | 3B | 107 BPM | ||
| 4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | B♭ Major | 1 | 6B | 115 BPM | ||
| 6 Moments musicaux, D. 780: No. 3, Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
| Brahms: 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major | Johannes Brahms, Martin James Bartlett | B♭ Major | 1 | 6B | 129 BPM | ||
| Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
| Piano Sonata No. 13 in B-Flat Major, K. 333: II. Andante cantabile | Wolfgang Amadeus Mozart, Vladimir Horowitz | E♭ Major | 0 | 5B | 112 BPM | ||
| Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
| Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": I. Sonatina | Johann Sebastian Bach, Márta Kurtág, György Kurtág | F Major | 3 | 7B | 102 BPM | ||
| Chopin: 24 Preludes, Op. 28: No. 4 in E Minor | Frédéric Chopin, Nikolai Lugansky | A Minor | 0 | 8A | 72 BPM | ||
| Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, David Fray, Audrey Vigoureux, Emmanuel Christien, Jacques Rouvier, Orchestre National Du Capitole De Toulouse | A Minor | 3 | 8A | 108 BPM | ||
| Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
| Nocturne No. 5 In F Sharp, Op. 15 No. 2 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 125 BPM | ||
| Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 70 BPM | ||
| Romance in F Minor, Op. 11, B. 38 (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | A♭ Major | 0 | 4B | 72 BPM | ||
| Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM |