"Pieces de Viole, Book 2, Suite No. 2: I. Prelude Le Marais, Le Saxon" by Roland Marais, Petr Wagner, Ensemble Tourbillon had its release date on February 1, 2011. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Roland Marais, Ensemble Tourbillon's "Marais: Pieces de Viole, Book 2" album is number 17 out of 30. On top of that, Germany appears to be the country where this track was created. Pieces de Viole, Book 2, Suite No. 2: I. Prelude Le Marais, Le Saxon is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pieces de Viole, Book 2, Suite No. 2: I. Prelude Le Marais, Le Saxon by Roland Marais, Petr Wagner, Ensemble Tourbillon to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto in A minor a 4 violini: 3. Largo | Giuseppe Torelli, Musica Antiqua Köln, Reinhard Goebel | E♭ Major | 1 | 5B | 78 BPM | ||
| Violin Sonata No. 1 in A Major, C. 138: IV. Variatio | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | A♭ Major | 0 | 4B | 123 BPM | ||
| Suite in G Major: III. Gavotte en rondeau | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| Concerto grosso No. 3 in D Minor: III. Vivace (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 183 BPM | ||
| Concerto grosso No. 2 in G Major: I. Largo (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | F♯ Major | 1 | 2B | 87 BPM | ||
| Concert XLI: Le retour - Le retour | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | D♭ Major | 0 | 3B | 80 BPM | ||
| Folia (2) | Francesco Corbetta, Pierre Pitzl, Private Musicke | B Major | 0 | 1B | 140 BPM | ||
| String Sonata à 5 in G Minor, Op. 2 No. 11: IV. Allegro | Tomaso Albinoni, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | E♭ Major | 3 | 5B | 95 BPM | ||
| The Little Consort, Suite No. 10 in D Minor and D Major: I. Pavan | Matthew Locke, Phantasm, Elizabeth Kenny | E Major | 0 | 12B | 87 BPM | ||
| Violin Sonata No. 6 in C Minor, C. 143: III. [...] - Adagio | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | A♭ Major | 1 | 4B | 78 BPM | ||
| Danze da Nuova e curiosa scuola de' balli teatrali (Arr. for Duo and Trio by T. Langlois de Swarte & O. Fourés): Micarena | Gregorio Lambranzi, Théotime Langlois de Swarte, Le Consort | F♯ Major | 0 | 2B | 62 BPM | ||
| Sonata in D-Dur, BuxWV 267: Sonata in D-Dur, BuxWV 267: IV. Solo-Allegro-Allegro-Presto | Dietrich Buxtehude, La Rêveuse, Emily Audouin, Florence Bolton, Benjamin Perrot | D♭ Major | 1 | 3B | 81 BPM | ||
| Vergine Bella | Marco Da Gagliano, Musica Sequenza, BURAK | A Major | 0 | 11B | 84 BPM | ||
| Quartet in E minor / mi mineur / e-moll: IV. Allegro | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | E♭ Minor | 1 | 2A | 147 BPM | ||
| Sonata (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 1 | 1B | 53 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act III: The Witches's Dance | Henry Purcell, Jupiter, Thomas Dunford | F♯ Major | 1 | 2B | 77 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in G Minor, No. 6: I. Adagio | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Sonata à 2 in D Minor | Antonio Bertali, Ecco la musica | E♭ Major | 1 | 5B | 112 BPM | ||
| Captaine Piper his Galiard | John Dowland, Les Voix Humaines | E♭ Minor | 0 | 2A | 167 BPM | ||
| Sonata a 4 in F minor, Op.1: No.4, "Imitatio in Salve Regina mater misericordiæ": in C Minor: II. Adagio | Angelo Ragazzi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
| Première suite à 3 violes in D Major: No. 1, Prélude | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 113 BPM | ||
| Manuscrit de Cracovie, Suite in D Minor: Prélude du Sieur Dubuisson | Nicolas Hotman, Lucile Boulanger | D♭ Major | 0 | 3B | 78 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: IX. Gigue | Dietrich Becker, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | F Minor | 3 | 4A | 81 BPM | ||
| Passa Galli: Passa Galli | Giovanni Battista Vitali, Les Kapsber'girls, Albane Imbs | E Major | 0 | 12B | 107 BPM |