Kitaro's 'Moon-Light' had a release date set for 1979. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Oasis [Remastered]". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Japan. The popularity of Moon-Light is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Moon-Light by Kitaro having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Painted | Mark Bulled | D♭ Major | 4 | 3B | 120 BPM | ||
| Pastoral Mist | Studio G | D Minor | 0 | 7A | 148 BPM | ||
| Seiko 2 | Yasuaki Shimizu | F Minor | 3 | 4A | 88 BPM | ||
| Beyond This World | Enki Anuna | F Minor | 2 | 4A | 60 BPM | ||
| Reverie | Isao Tomita | F Major | 0 | 7B | 58 BPM | ||
| Shizukesa no Naka de (Harukanaru Takla Makan Sabaku) | Kitaro | E Minor | 4 | 9A | 104 BPM | ||
| Many Chinas | Mark Isham | A♭ Major | 3 | 4B | 152 BPM | ||
| Oasis | Kitaro | A Minor | 4 | 8A | 112 BPM | ||
| Sunchemical | O Yuki Conjugate | C Major | 3 | 8B | 130 BPM | ||
| Falling In The Garden / Ray Lynch | Ray Lynch | B Major | 0 | 1B | 107 BPM | ||
| Corsica by Night | Matthias Mothroni, Matthiando | D♭ Major | 2 | 3B | 63 BPM | ||
| Valley of the Birds | Emerald Web | D Minor | 2 | 7A | 133 BPM | ||
| The Lotus | Hans-André Stamm | A Minor | 2 | 8A | 120 BPM | ||
| Several Times II | Pieter Nooten And Michael Brook | E♭ Major | 0 | 5B | 86 BPM | ||
| Freudentanz | Roedelius | B Major | 5 | 1B | 165 BPM | ||
| Schajah Saretosh | Andreas Vollenweider, Walter Keiser, Pedro Haldemann, Jon Otis | F Minor | 6 | 4A | 135 BPM | ||
| Ahoi | Harmonia | C Major | 2 | 8B | 178 BPM | ||
| “Toto, I’ve a feeling we’re not In Kansas anymore.” | Michael Stearns | D Major | 3 | 10B | 105 BPM | ||
| Einklang | Peter Michael Hamel | E♭ Major | 0 | 5B | 69 BPM | ||
| Morgana Da Capo | Ashra | D Minor | 6 | 7A | 103 BPM | ||
| Early Summer Roses | Jun Fukamachi | G Major | 1 | 9B | 95 BPM | ||
| Sea Gulls Audience | Software | C Minor | 2 | 5A | 92 BPM | ||
| Seres De Luz | Enigma Hermético | G Minor | 1 | 6A | 127 BPM | ||
| The Running Water | Cybe | C Major | 3 | 8B | 128 BPM | ||
| Sentinel Meadow | Mars Lasar | C Major | 0 | 8B | 92 BPM |