Handel: Keyboard Suite in A Major, HWV 426: I. Prelude by George Frideric Handel, Andrei Gavrilov Song Details

"Handel: Keyboard Suite in A Major, HWV 426: I. Prelude" by George Frideric Handel, Andrei Gavrilov had its release date on 1982. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Andrei Gavrilov/Sviatoslav Richter's "Handel: Keyboard Suites Vol. I" album is number 1 out of 38. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Handel: Keyboard Suite in A Major, HWV 426: I. Prelude is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Handel: Keyboard Suite in A Major, HWV 426: I. Prelude by George Frideric Handel, Andrei Gavrilov to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.

Music Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 16%
Loudness: -27.786 dB
Acousticness: 98%
Danceability: 21%
Energy: 1%
Instrumentalness: 2%
Liveness: 13%
Loudness: 54%
Speechiness: 5%
Valence: 15%

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