On 1996, the song "Râgâs du soir: Alaipâyuthê kanna" was released by Raghunath Manet. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Raghunath Manet's "Music & Dance" album is number 7 out of 14. On top of that, France appears to be the country where this track was created. In terms of popularity, Râgâs du soir: Alaipâyuthê kanna is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Râgâs du soir: Alaipâyuthê kanna by Raghunath Manet to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sri Rangapura Vihara Brindavana Saranga | M. S. Subbulakshmi, T. K. Murthy, V.V.Subramaniam | D Major | 3 | 10B | 106 BPM | ||
| First Blow (Live) | Didier Lockwood, Raghunath Manet | D Major | 4 | 10B | 90 BPM | ||
| Krishnanee Begane - Ragam: Yaman / Talam: Mishra Chapu (Purandaradasa) | Lalgudi G. Jayaraman | D♭ Major | 3 | 3B | 157 BPM | ||
| Amma Ananda Daayini - Gambhira Nata - Tala Adi | G Sreenivaasan, IndianRaga, Jayashri Viswanath, Niveditha Arun, Raghul S Ragava, Sudheendra C Apte | A♭ Major | 6 | 4B | 174 BPM | ||
| Sunand Bhairav - Aalap | Milind Date | A Minor | 1 | 8A | 77 BPM | ||
| Bantu Reethi (Flute) | Tyagaraja, Sikkil Sisters | C Major | 4 | 8B | 76 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Svara Kalpana | Ranganayaki Rajagopalan, Raja Rao | F Minor | 6 | 4A | 164 BPM | ||
| Raaga Charukeshi Composition in Drut Teentaal | Imran Khan | D Major | 6 | 10B | 113 BPM | ||
| Pullanguzhal | Kalaimamani Prabhavathi Ganesan | B♭ Minor | 6 | 3A | 91 BPM | ||
| Chandrachooda-Classical Instrumental Concert | Dr. Padmesh Parasuraman | B♭ Minor | 3 | 3A | 154 BPM | ||
| Pasam Paranjothi | V2S2, RAGAMALIKATV | A♭ Major | 3 | 4B | 99 BPM | ||
| Bhagyada Lakshmi - Madhyamavathi - Adi | Vittal Ramamurthy | E Major | 5 | 12B | 81 BPM | ||
| Romantic Dhun | Vishwa Mohan Bhatt, Sukhvinder Singh Namdhari | G Major | 2 | 9B | 146 BPM | ||
| Heavy Rain (Anandamritakarshini) | Sreevalsan J. Menon, Edappally Ajith Kumar, Jackson Aroja | F♯ Major | 2 | 2B | 117 BPM | ||
| Nadhatanumanisam | A. Kanyakumari | C Major | 6 | 8B | 165 BPM | ||
| Bhajan: Sindhu Bhairavi - Aadi | N. Ramani | B Major | 1 | 1B | 121 BPM | ||
| Tillânâ | Raghunath Manet, Umayalpuram K. Sivaraman | B Minor | 4 | 10A | 166 BPM | ||
| Raga Dvijavanthi - Jaljaivanthi | A. Kanyakumari, Janardan Mitta | A♭ Minor | 9 | 1A | 87 BPM | ||
| Thaye Yesoda - Flute | N. Ramani | A♭ Major | 4 | 4B | 157 BPM | ||
| 8.5 Beats | Anindo Chatterjee | B Minor | 6 | 10A | 124 BPM | ||
| Dhun in Madhyam se Gara - Studio | Tejendra Majumdar, Swapan Chaudhuri | F Major | 2 | 7B | 101 BPM | ||
| Sogasu | N. Ramani | D Major | 4 | 10B | 150 BPM | ||
| Krishna Nee Begane (Raga: Yaman Kalyani; Tala: Misrachapu) | Ranjani, Gayatri | C Major | 1 | 8B | 129 BPM | ||
| Akilandeshwari (Instumental) | Durai Srinivasan | F♯ Major | 4 | 2B | 123 BPM | ||
| Kuzhaloodhi - Mandolin | U. Srinivas | F Major | 9 | 7B | 174 BPM |