Taraka Rama Rao's ' "Elavayya" was released on its scheduled release date, April 30, 2024. This song is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. There are a total of 109 in the song's album "Srihari Rasaanandam". In this album, this song's track order is #28. Furthermore, we believe that the track originated from India. Elavayya is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Elavayya by Taraka Rama Rao having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tayi Yellavvana Bedono | Sujatha Dutt | G Major | 7 | 9B | 139 BPM | ||
| Sreevazhum | Ramesh Murali | F Minor | 9 | 4A | 162 BPM | ||
| Vel vel | Sannidanandan | G Major | 9 | 9B | 105 BPM | ||
| Palkkadal | Pranavam Sasi | C Major | 9 | 8B | 154 BPM | ||
| Kanti Sukravaramu | Nithya Santhoshini | C Major | 6 | 8B | 170 BPM | ||
| Ugarakolladavva | Mahalakshmi Iyer | A Minor | 6 | 8A | 174 BPM | ||
| En Mariaatha | Om Sri Anggara Kaliamman Urumee Melam Group | F♯ Major | 8 | 2B | 87 BPM | ||
| Vaikuntam Nundi | Dappu Srinu | B♭ Minor | 9 | 3A | 75 BPM | ||
| Ennuvarum ente raaman | Nimya | F Minor | 8 | 4A | 120 BPM | ||
| Subramanya Ashtakam | S. P. Balasubrahmanyam | E♭ Major | 0 | 5B | 81 BPM | ||
| Sri Shaila Kshetrana Shivayya Poojalu | Jangi Reddy Addula | D♭ Minor | 9 | 12A | 143 BPM | ||
| Radhika Krishna Radhika | P. Jayachandran, Thiruneloor Ajithkumar, Ayimanam Chandrakumar, Kannan Tripunithura | F♯ Major | 7 | 2B | 140 BPM | ||
| Panchabhootham | Ramesh Murali | D Major | 7 | 10B | 140 BPM | ||
| Devi Kumaranallooramme | K. S. Chithra | F Major | 5 | 7B | 174 BPM | ||
| Edanundi | Taraka Rama Rao, K M Darshini | E Major | 6 | 12B | 80 BPM | ||
| Sree Kailasa | Kaithapram Viswanadh | A Major | 5 | 11B | 89 BPM | ||
| Kondagattu Kondallo | Jadala Ramesh | B Minor | 7 | 10A | 90 BPM | ||
| Enthu Cheyyendu | Irayimman Thampi, K. S. Chithra | C Major | 5 | 8B | 140 BPM | ||
| Manjala Maatti - Female Vocals | K. S. Chithra | D♭ Major | 4 | 3B | 112 BPM | ||
| Karunaala Bala Ganapatti | Narsing Rao | G Minor | 8 | 6A | 106 BPM | ||
| Kodi Yogam | Srihari | F Minor | 8 | 4A | 108 BPM | ||
| Aadikeshava Sodari Mangala | Minmini | E♭ Minor | 6 | 2A | 173 BPM | ||
| Sree bhadre amme | Shyam Dharman | B♭ Major | 4 | 6B | 85 BPM | ||
| Hindukkal Naam | Chandramouli | F♯ Major | 6 | 2B | 114 BPM | ||
| Endaka Nidra | Taraka Rama Rao | E Major | 6 | 12B | 80 BPM |