Babaji R. Kanade's ' "Rupavali-Roop Pahata Lochani - Babaji. R Kanade" was released on its scheduled release date, January 1, 2012. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Babaji R. Kanade, Pramod Dhuri's "Kanade Dhuri Jodi Lai Bhari" album is number 3 out of 14. On top of that, India appears to be the country where this track was created. In terms of popularity, Rupavali-Roop Pahata Lochani - Babaji. R Kanade is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Rupavali-Roop Pahata Lochani - Babaji. R Kanade by Babaji R. Kanade to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vishvacha Janita | Godavaribai Munde | D♭ Major | 7 | 3B | 169 BPM | ||
| Haldi Haat(Baanda) | Mangala Rawat, Uma Rana, Kalpeshwari | D♭ Major | 3 | 3B | 110 BPM | ||
| Ma Esheche Moder Ki Ar | Ramakrishna Math, Swami Narendrananda | F Minor | 6 | 4A | 110 BPM | ||
| Kanakambara Kamalasana | Ramakrishna Math, Monks of the Ramakrishna Order | C Minor | 4 | 5A | 97 BPM | ||
| Kaal Bhairav Chalisa | Bhakti Sangrah | D♭ Major | 5 | 3B | 150 BPM | ||
| Viveka Choodamani | Bhanumathi Narasimhan | G Major | 1 | 9B | 81 BPM | ||
| Piye Jaa Prabhu Ramji Ka Naam Pyara | Sharma Bandhu | B Major | 6 | 1B | 117 BPM | ||
| Kaal Bhairav Ashtakam | Prem Prakash Dubey | B Major | 5 | 1B | 83 BPM | ||
| Ambe Maa | Bhanumathi Narasimhan | E Major | 5 | 12B | 94 BPM | ||
| Sai Kanhaiya Sai Kanhaiya | Sri Sathya Sai Bhajans | E Major | 5 | 12B | 132 BPM | ||
| Hare Krishna Vol 2 Part 2 - Original | Bitu Samajpati, NA | D♭ Major | 5 | 3B | 104 BPM | ||
| Sahastra Dipai Deep Kaisi | Digambar Kutae, Kashiram Indolikar | F♯ Minor | 6 | 11A | 130 BPM | ||
| Bhakti Premavina Dnyan Nako Deva | Rekha Manvatkar, Abhang Bhaktigeet | D♭ Major | 6 | 3B | 132 BPM | ||
| Adharam Madhuram | Devi Chitralekha | E Minor | 2 | 9A | 137 BPM | ||
| Jai Jai Jai Shani Deva | Shyam Saajan, Supriya | A♭ Major | 7 | 4B | 90 BPM | ||
| श्री राम चंद्र कृपालु भजमन Shri Ram Chandra Kripalu | Hari cassettes | F Minor | 4 | 4A | 148 BPM | ||
| Tuja Pahata Saamori | Ashwini Bhide Deshpande | B Minor | 5 | 10A | 82 BPM | ||
| Jai Durga Mori Maiya Bhavani | Chhannulal Mishra | E♭ Major | 4 | 5B | 99 BPM | ||
| Dnyanarajachi Aarti | Yeshwant Kothambikar | F♯ Major | 6 | 2B | 117 BPM | ||
| Riddhi Siddhi Doghi | Mandar Apte, Sandip Patil | A Minor | 6 | 8A | 100 BPM | ||
| Karu Koti Koti Pranam (Anand No Garbo) | Hari cassettes | A♭ Major | 5 | 4B | 96 BPM | ||
| Mithila Ka Kan Kan Khila Jamai Raja Ram Mila | The Bundeli Artists | E♭ Major | 7 | 5B | 97 BPM | ||
| Shyam Pyare Se Jiska Sambandh Hai | Pujya Shri Indresh Ji Maharaj | Indresh Ji Maharaj Bhajan | Pujya Shri Indresh Ji Maharaj | G Minor | 6 | 6A | 98 BPM | ||
| Maa Bhervi Bhavtarini | Dev Ranjan Giri | B♭ Minor | 3 | 3A | 124 BPM | ||
| Man Re Hari Bhaji | Susmita Das | C Major | 6 | 8B | 149 BPM |