"Meetings With Reconciliation" by Natacha Atlas had its release date on August 19, 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 11 in Foretold In The Language Of Dreams by Natacha Atlas. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Meetings With Reconciliation's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Meetings With Reconciliation by Natacha Atlas is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shrewd Woman | Rabih Abou-Khalil | C Minor | 3 | 5A | 112 BPM | ||
| I Feel Love | Hector Zazou, Barbara Eramo, Stefano Saletti | A Major | 6 | 11B | 90 BPM | ||
| Mercanistan | Mercan Dede | B Minor | 5 | 10A | 112 BPM | ||
| Wahdi Ana W Galbi | Sofiane Saidi, Mazalda | D Minor | 6 | 7A | 130 BPM | ||
| Ne Me Quitte Pas | Natacha Atlas | A Minor | 8 | 8A | 103 BPM | ||
| Gamil | Yasmine Hamdan | B Minor | 5 | 10A | 98 BPM | ||
| Samira | Acid Arab, Fred Avril, Shadi Khries | D Major | 9 | 10B | 109 BPM | ||
| Ginhawa | Mercan Dede | D♭ Major | 5 | 3B | 120 BPM | ||
| Hija Mía | Amina Alaoui | C Minor | 5 | 5A | 130 BPM | ||
| La Ahada Yalam | Amal Murkus | A Minor | 1 | 8A | 90 BPM | ||
| Opéra | Emmanuel Santarromana | G Major | 4 | 9B | 140 BPM | ||
| Ederlezi | Dikanda | A Minor | 2 | 8A | 142 BPM | ||
| Saldek - Remastered | Dead Can Dance | D Major | 4 | 10B | 116 BPM | ||
| Ghir Enta | Souad Massi | F Minor | 5 | 4A | 118 BPM | ||
| Ode D'ibn Arabi | Amina Alaoui | C Major | 1 | 8B | 127 BPM | ||
| Salt Rain | Susheela Raman | A Minor | 4 | 8A | 100 BPM | ||
| Bayaty | Ashkhabad | G Minor | 4 | 6A | 111 BPM | ||
| Baraka | Aziza Brahim | A♭ Minor | 8 | 1A | 109 BPM | ||
| Anywhere on This Road | Lhasa De Sela | B♭ Minor | 6 | 3A | 117 BPM | ||
| A Story for Tomorrow | Armand Amar, Nuria Rovira Saiat | F♯ Minor | 3 | 11A | 170 BPM | ||
| Jerusalem - Zahrat Al Madaen | Dorsaf Hamdani | F Minor | 1 | 4A | 78 BPM | ||
| Ghanwah Bossanova | Natacha Atlas | A Minor | 5 | 8A | 120 BPM | ||
| Yarab | Malouma | A Minor | 4 | 8A | 146 BPM | ||
| Migration | Nitin Sawhney | D Major | 5 | 10B | 123 BPM | ||
| Fly Shadow Fly | Dhafer Youssef | B♭ Minor | 2 | 3A | 78 BPM |