"The Voices That Can Make Us Hear" by Charlie Rauh had its release date on June 22, 2022. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 7 in Angels Of Annunciation by Charlie Rauh. In terms of popularity, The Voices That Can Make Us Hear is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of The Voices That Can Make Us Hear by Charlie Rauh is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tomorrow Will Worry About Itself | Charlie Rauh, Cameron Mizell | F♯ Minor | 2 | 11A | 85 BPM | ||
| This Song (Radio) | Danny Boy | F♯ Major | 8 | 2B | 78 BPM | ||
| Perspective | Lindsey Webster | A Minor | 5 | 8A | 74 BPM | ||
| Blue Rose | Lizz Wright | C Minor | 3 | 5A | 135 BPM | ||
| W8 | Avery*Sunshine, DrewTheRew | B Major | 3 | 1B | 137 BPM | ||
| Reasons | Lindsey Webster | E♭ Minor | 7 | 2A | 84 BPM | ||
| Holman Prison | Joel P West | A Minor | 3 | 8A | 130 BPM | ||
| Can You Come Over | Jeff Bradshaw, Carol Riddick | C Major | 4 | 8B | 91 BPM | ||
| Imagine | AJ Ghent [ j-ent ] | C Major | 6 | 8B | 115 BPM | ||
| Be Gentle | Danielle Ponder | G Minor | 4 | 6A | 120 BPM | ||
| Go | Love, Mae C. | F♯ Minor | 9 | 11A | 112 BPM | ||
| Before Dark | Such | F Minor | 4 | 4A | 75 BPM | ||
| As We Meet | Khari Mateen | F Major | 1 | 7B | 61 BPM | ||
| Heart Strings (Acoustic Version) | Raheem DeVaughn | G Minor | 0 | 6A | 112 BPM | ||
| Motor City Moves (feat. Lin Rountree) | J. White, Lin Rountree | G Minor | 7 | 6A | 100 BPM | ||
| Gettin Mo Money Than You | T. L. Williams | B♭ Minor | 4 | 3A | 178 BPM | ||
| Beautiful | India.Arie | G Major | 3 | 9B | 132 BPM | ||
| Unusual Colors | Slug, Noé Mina, Søren Søstrom | A Minor | 3 | 8A | 103 BPM | ||
| Summertime (feat. Anita Baker) | Cyrus Chestnut, Anita Baker | B Minor | 2 | 10A | 78 BPM | ||
| Away With The Wind She Goes (Part 2) | Jeymes Samuel, The Chamber Orchestra Of London | A♭ Major | 7 | 4B | 130 BPM | ||
| Until The Charm Fades | Charlie Rauh | B Minor | 0 | 10A | 67 BPM | ||
| I Try - Remastered | Angela Bofill | C Major | 5 | 8B | 151 BPM | ||
| Only | Marion Meadows, Kaimi Hananoeau | A♭ Major | 5 | 4B | 146 BPM | ||
| Art Together | Khari Mateen | C Major | 1 | 8B | 115 BPM | ||
| Paint Over | Khari Mateen | D♭ Major | 6 | 3B | 94 BPM |