"やくそく" by 湯山昭, Haruko Ueda had its release date on 1998. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in 湯山昭 ピアノ曲集 「こどものせかい」, so we believe that "やくそく" is a single. やくそく is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of やくそく by 湯山昭, Haruko Ueda is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Valse Arabesque, Op. 98 No. 4 | Cécile Chaminade, Eric Parkin | D♭ Major | 1 | 3B | 67 BPM | ||
| 春の歌 | Felix Mendelssohn, Yuko Mifune | A Major | 1 | 11B | 80 BPM | ||
| エチュード ハ短調 作品25-12 『大洋』 | NAIX | F Minor | 3 | 4A | 79 BPM | ||
| 3 Pieces, Op. 45: No. 1, Feuillet D'album | Alexander Scriabin, Juan Francisco Otón | G Minor | 0 | 6A | 59 BPM | ||
| Humoresques De Concert, Op. 14: No. 6, Cracovienne Fantastique - Duo-Art S-30738 | Ignacy Jan Paderewski, Ethel Herr Litchfield, Peter Phillips | E Major | 0 | 12B | 74 BPM | ||
| Die schöne Müllerin, D. 795: VIII. Morgengrüss (Arr. Godowsky) | Franz Schubert, Stephen Hough | B♭ Major | 1 | 6B | 74 BPM | ||
| トロイメライ(R.シュトラウス) | 松本和将 | B Major | 0 | 1B | 91 BPM | ||
| ツェルニー100番 練習曲(上) 15番アレグロ・モデラート | Carl Czerny, John O'Conor | D♭ Major | 2 | 3B | 68 BPM | ||
| Pavane pour une infante defunte, M. 19 | Maurice Ravel, Mao Fujita | E Minor | 0 | 9A | 103 BPM | ||
| Lied ohne Worte Op.62-6 "Fruhlingslied" | Felix Mendelssohn, Kazune Shimizu | E Major | 0 | 12B | 102 BPM | ||
| 4つの即興曲 作品90, D. 899: 第3番 変ト長調 Andante - Live in Paris 2023 | Franz Schubert, Fujiko Hemming | F♯ Major | 1 | 2B | 71 BPM | ||
| 展覧会の絵(キエフの大門) - Nobuyuki Tsujii Carnegie Hall debut Live | Nobuyuki Tsujii | B Minor | 1 | 10A | 94 BPM | ||
| ブルクミュラー25の練習曲: 12. 別れ | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| Masquerade Suite (Arr. for Piano by Alexander Dolukhanian): IV. Romance | Aram Khachaturian, Mikael Ayrapetyan | B♭ Major | 3 | 6B | 166 BPM | ||
| Piano Sonata No. 4 in C-Sharp Minor, Op. 21 No. 2: II. Romance. Andante con moto | Wilhelm Taubert, Lucas Wong | E Major | 0 | 12B | 128 BPM | ||
| IV. Allegro ma non troppo | Antonín Dvořák, Peter Breiner | A Major | 1 | 11B | 91 BPM | ||
| The Seasons. Op. 37A: No. 11, Troika (November) - Duo-Art S-31438 | Pyotr Ilyich Tchaikovsky, Elva Faeth Rider, Peter Phillips | E Major | 0 | 12B | 71 BPM | ||
| エチュード 第3番 ホ長調 《別れの曲》作品10-3 | Fujiko Hemming | E Major | 2 | 12B | 72 BPM | ||
| Forgotten Melodies I, Op. 38: II. Danza Graziosa | Nikolai Medtner, Geoffrey Tozer | A Major | 2 | 11B | 109 BPM | ||
| 亡き王女のためのパヴァーヌ - (ラヴェル) | Maurice Ravel, Maurice, Nobuyuki Tsujii | E Minor | 0 | 9A | 113 BPM | ||
| サティ:ジュ・トゥ・ヴ | Kentaro Haneda | C Major | 1 | 8B | 98 BPM | ||
| 舞踏への勧誘 | カール・マリア・フォン・ウェーバー, 広瀬悦子 | C Major | 3 | 8B | 117 BPM | ||
| 歌の翼に S547 | フェリックス・メンデルスゾーン, 田部京子 | G Major | 1 | 9B | 91 BPM | ||
| Epithalamium | William Bolcom, Marc-André Hamelin | D Major | 1 | 10B | 69 BPM | ||
| ソナチネ - (ラヴェル) 第2楽章 | Maurice Ravel, Nobuyuki Tsujii | D♭ Major | 0 | 3B | 105 BPM |