Thomas Campion, Gerald English's 'It fell on summers day' had a release date set for June 6, 1996. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. It fell on summers day's duration is considered a little bit shorter than the average duration of a typical track. This song is part of What if a Day or a Month or a Year by Gerald English. The song's track number on the album is #23 out of 26 tracks. Based on our data, Australia was the country where this track was produced or recorded. In terms of popularity, It fell on summers day is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since It fell on summers day by Thomas Campion, Gerald English has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With It fell on summers day being at 110 BPM, the half-time would be 55 BPM with a double-time of 220 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Matthäuspassion, SWV 479 (St. Matthew Passion): Introitus | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | C Major | 2 | 8B | 86 BPM | ||
| Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
| D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM | ||
| Missa Iste confessor domini: Christe Ia | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | F♯ Minor | 0 | 11A | 170 BPM | ||
| Otche nash | Ars Poliphonica | F♯ Minor | 0 | 11A | 170 BPM | ||
| Messe de Requiem, Introitus: No. 2, Te decet hymnus Deus | André Campra, Sébastien Daucé, Ensemble Correspondances | E♭ Major | 2 | 5B | 93 BPM | ||
| Veni in hortum meum à 6 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón | G Minor | 1 | 6A | 103 BPM | ||
| Emily — No Prisoner Be: No. 6, I dwell in Possibility | Kevin Puts, Time For Three, Joyce DiDonato | F♯ Minor | 0 | 11A | 170 BPM | ||
| Jack and Joan | Thomas Campion, Michael Chance, Nigel North, Rachel Elliott | F♯ Major | 2 | 2B | 143 BPM | ||
| Fayrfax: Magnificat "Regale": IV. Suscepit Israel puerum suum | Robert Fayrfax, Choir of King's College, Cambridge, Stephen Cleobury | G Major | 2 | 9B | 111 BPM | ||
| The Indian Queen, Z. 630: "I attempt from love's sickness" | Henry Purcell, Alfred Deller, Roderick Skeaping, Wieland Kuijken, William Christie | D Major | 1 | 10B | 72 BPM | ||
| Folía echa para mi Señora Doña Tarolilla de Carallenos | Andrea Falconieri, Capella De La Torre, Katharina Bauml | F Major | 2 | 7B | 121 BPM | ||
| Ouverture in E Minor: II. Air (1) | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | D Minor | 0 | 7A | 96 BPM | ||
| Fire, Fire, Fire! | Thomas Campion, Joanna Levine, Elizabeth Kenny, Robin Blaze, Mark Levy, David Miller | E Major | 1 | 12B | 82 BPM | ||
| Tota pulchra es à 4 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón, Caroline Weynants, Lieselot De Wilde, Miguel Bernal, Matteo Bellotto | B♭ Major | 1 | 6B | 107 BPM | ||
| Schubert's "Winterreise": No. 1, Gute Nacht | Hans Zender, Franz Schubert, Aurora Orchestra, Nicholas Collon, Allan Clayton | F♯ Minor | 0 | 11A | 170 BPM | ||
| Anne Boleyn's Songbook: Tota pulchra es | Jean Mouton, Alamire, David Skinner | G Minor | 0 | 6A | 93 BPM | ||
| Leave Prolonging Thy Distress | Thomas Campion, Michael Chance, Nigel North, Peter Harvey | E Major | 1 | 12B | 179 BPM | ||
| Dioclesian, Z. 627 "The Prophetess": Chaconne "Two in One upon a Ground" | Henry Purcell, Chelys Consort of Viols | D♭ Minor | 1 | 12A | 62 BPM | ||
| 3rd Booke of Ayres: Oft I have sighed for him | Marshall McGuire, Thomas Campion | F Minor | 0 | 4A | 88 BPM | ||
| Requiem (Missa pro defunctis) a 2-4: Tractus: Sicut cervus | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | C Major | 0 | 8B | 62 BPM | ||
| Ah, alas you salt sea gods | Richard Farrant, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 96 BPM | ||
| Dowland: Lachrimae, or Seven Tears: No. 10, Semper Dowland, semper dolens, P. 9 | John Dowland, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 130 BPM | ||
| Music, the Master of thy Art is Dead | William Lawes, Robin Pharo, Ensemble Près de votre oreille | D Major | 1 | 10B | 74 BPM | ||
| Taverner: Missa Corona spinea - 08. Hosanna 2 | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 2 | 5B | 80 BPM |