Aaron Booth's ' "Voice in the Night" was released on its scheduled release date, January 1, 2008. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Voice in the Night's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 10 in Back Stories by Aaron Booth. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Voice in the Night is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Voice in the Night by Aaron Booth is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When We Become | Clem Snide, Eef Barzelay | E Major | 4 | 12B | 114 BPM | ||
| Mad About Music | Music Eaters | E Major | 4 | 12B | 140 BPM | ||
| Stay | Aaron Booth | G Major | 5 | 9B | 92 BPM | ||
| Orange Stand | Madison Blue | B Major | 1 | 1B | 63 BPM | ||
| Forever Goodbye | The Mostar Diving Club | F♯ Major | 2 | 2B | 129 BPM | ||
| You & Me | Mitchell | G Major | 5 | 9B | 138 BPM | ||
| The Water Wars | Richmond Fontaine | A Minor | 6 | 8A | 143 BPM | ||
| Indiana | David Mead | D Major | 5 | 10B | 108 BPM | ||
| Bathe in Muddy Water | Ghostberries | D Minor | 4 | 7A | 166 BPM | ||
| Peace | Steve the Trailplayer | G Major | 2 | 9B | 106 BPM | ||
| Transparent | Aaron Booth | B Minor | 2 | 10A | 87 BPM | ||
| Abandoned Railroad Track | Martin D. Jr. | F♯ Minor | 2 | 11A | 80 BPM | ||
| Space | Scottstonenes | G Major | 2 | 9B | 103 BPM | ||
| Cure for life | Drop Foot, David Crown | G Major | 2 | 9B | 90 BPM | ||
| follow you down | One Zever | E Minor | 2 | 9A | 100 BPM | ||
| The Biggest Lie | Dolorean | E Major | 4 | 12B | 117 BPM | ||
| Imaginary bars | Great Lake Swimmers | E♭ Major | 2 | 5B | 114 BPM | ||
| We Waited | Howie Beck | A♭ Major | 7 | 4B | 102 BPM | ||
| Cure For This | Golden Smog | B♭ Major | 8 | 6B | 118 BPM | ||
| What A Shame | Sera Cahoone | G Major | 4 | 9B | 136 BPM | ||
| This Sunday Morning | Dayborn | A Major | 8 | 11B | 111 BPM | ||
| Forget Yourself | Brother Dust (FKA Daniel Cliffe) | F Major | 7 | 7B | 105 BPM | ||
| Song Of Sky | Ralph Moore | A Major | 3 | 11B | 120 BPM | ||
| Trust You | Jett Nova | F Major | 1 | 7B | 151 BPM | ||
| Not Going Home | The Elected | B♭ Major | 8 | 6B | 88 BPM |