"Leaving Earth (From "Mass Effect 3") [Metal Version]" by Sebdoom had its release date on September 5, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Leaving Earth (From "Mass Effect 3") [Metal Version] and no other songs are present in the album, we classify this track as a single. On top of that, United States appears to be the country where this track was created. Based on our statistics, Leaving Earth (From "Mass Effect 3") [Metal Version]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Leaving Earth (From "Mass Effect 3") [Metal Version] by Sebdoom to be Vivace (lively and fast) because the track has a tempo of 159 BPM, a half-time of 80BPM, and a double-time of 318 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mass Effect 3: Leaving Earth | Everrune | D♭ Major | 8 | 3B | 173 BPM | ||
| Achaemenid Empire | Abtin Zahed | F Major | 3 | 7B | 167 BPM | ||
| Nikon Know's Super S | Naveen Devda, Nikon Durin E58 | G Major | 7 | 9B | 100 BPM | ||
| Donde los sueños desvanecen | Lenn Mar | A♭ Major | 9 | 4B | 144 BPM | ||
| Chants of the Mountain Gate | DRAKONN | E♭ Minor | 10 | 2A | 180 BPM | ||
| Deus Ex: Human Revolution: Icarus | Everrune | G Minor | 7 | 6A | 123 BPM | ||
| Systemic Venom | Shadows Deep | G Major | 8 | 9B | 120 BPM | ||
| The Chosen | Paul Udarov | C Minor | 10 | 5A | 140 BPM | ||
| Sunrise | Harmonix College | E Minor | 7 | 9A | 110 BPM | ||
| Omega Pulse | Kings & Creatures, Sergey Azbel, Bohdan Yeremenko | G Major | 7 | 9B | 100 BPM | ||
| Hold the Line | Sebdoom | F Major | 10 | 7B | 155 BPM | ||
| Echoes in the Void | Dystopian Voyager | D Major | 4 | 10B | 110 BPM | ||
| Tourniquet | Xtortion Audio | A♭ Major | 9 | 4B | 130 BPM | ||
| Resynthesis | Sam Hulick | A Minor | 4 | 8A | 120 BPM | ||
| You Are Not Alone | Giovanni Puocci | G Major | 7 | 9B | 100 BPM | ||
| Destinos cruzados | Lenn Mar | D♭ Major | 9 | 3B | 136 BPM | ||
| Post Mortem | Tore Fagerheim | E Minor | 9 | 9A | 180 BPM | ||
| Legends Unleashed | Phase Drift | A Minor | 6 | 8A | 82 BPM | ||
| Discoveries | Andromida | D Major | 10 | 10B | 141 BPM | ||
| Unrealized Reality | Kári Sigurðsson | A Major | 7 | 11B | 105 BPM | ||
| The End Of All Things | Niklas Johansson | F Major | 9 | 7B | 125 BPM | ||
| FsF-sABer (Part 1) | Tom Dabrowski | G Major | 7 | 9B | 100 BPM | ||
| I'm Not Buried Yet | Aram Zero | F Minor | 7 | 4A | 100 BPM | ||
| Ride Before the Storm | HUMINDFLOW | C Minor | 9 | 5A | 138 BPM | ||
| Rage from Within | Epic Score | D Major | 8 | 10B | 184 BPM |