Michael Bates's ' "Shifting Tones" was released on its scheduled release date, May 11, 2017. This song appears to be safe for all ages as it is not explicit. Since Shifting Tones only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, Shifting Tones is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Shifting Tones by Michael Bates having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Law of Diminishing Returns - Short Cut - Jack DeJohnette drum solo into end theme | Arkadia Short Cuts, Alan Pasqua, Michael Brecker, Jack DeJohnette, Dave Holland | A Major | 1 | 11B | 51 BPM | ||
| The First and the Last Tango | Henrik Hallberg, Klaus Gesing, Niklas Wennström, Johan Käck | D Major | 3 | 10B | 115 BPM | ||
| Isola | Yuri Honing, Yuri Honing's Peace Orchestra, Remy Van Kesteren, Tony Overwater, Yoràn Vroom, Ella Zirina | D Minor | 2 | 7A | 136 BPM | ||
| Patquia | Baltazar Clusellas, Matías Crouzeilles, Andrés Chirulnicoff, Tomas Torres, Sergio Wagner, Gustavo Chenu, Ciro Gamallo | F♯ Minor | 5 | 11A | 104 BPM | ||
| Suite de Los Abrazos, III - Bodegon Canibal | Emilio Solla, La Inestable de Brooklyn | A Major | 1 | 11B | 51 BPM | ||
| Pangea | Alba Careta | A Major | 1 | 11B | 51 BPM | ||
| Automne Sur Le Canal | Maurizio Minardi Trio | C Major | 3 | 8B | 90 BPM | ||
| Freely | Michael Bates | G Major | 5 | 9B | 84 BPM | ||
| Meaningless Mirror | Tom Ollendorff, James Maddren, Conor Chaplin, Aaron Parks | A Major | 2 | 11B | 153 BPM | ||
| The Prayer | Carsten Dahl, Nils Bo Davidsen, Stefan Pasborg | F Minor | 4 | 4A | 135 BPM | ||
| Misurarsi | Alberto Manco | B♭ Minor | 5 | 3A | 110 BPM | ||
| Like Someone in Love | Ari Bragi Kárason, Karl-Martin Almqvist, Carl Winther, Anders Mogensen, Johnny Åman | C Minor | 3 | 5A | 90 BPM | ||
| Checkered Floor Blues | Kenneth James Trio | A Major | 1 | 11B | 51 BPM | ||
| In Between | LieBerTrio | B♭ Major | 6 | 6B | 105 BPM | ||
| Liam's Labyrinth | Östergren Strömkvist Trio | F Minor | 0 | 4A | 115 BPM | ||
| Partly Innocent | Michael Bates | F♯ Minor | 1 | 11A | 148 BPM | ||
| The Given Day | Michael Bates | F Minor | 4 | 4A | 117 BPM | ||
| Again and Again | Søren Bebe Trio, Søren Bebe, Anders Mogensen, Niels Ryde | F Major | 2 | 7B | 144 BPM | ||
| You Don't Know What Love Is | Bob Reynolds | A Major | 1 | 11B | 51 BPM | ||
| Den signade dag | Trio X of Sweden | D Minor | 1 | 7A | 91 BPM | ||
| Thank You, Thank You God | Sultan Stevenson | F Minor | 6 | 4A | 131 BPM | ||
| Bangkok Cowboy | Mick Rossi, John King, Michael Bates | A♭ Major | 2 | 4B | 142 BPM | ||
| Strong Arm | Michael Bates | D Major | 3 | 10B | 73 BPM | ||
| Zukunft | White Noise Trio | C Major | 2 | 8B | 86 BPM | ||
| Butterfly Dance | Tim Derochie | A Major | 1 | 11B | 51 BPM |