Pat Metheny's ' "Omaha Celebration" was released on its scheduled release date, March 1, 1976. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 8 in Bright Size Life by Pat Metheny. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Omaha Celebration is currently below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Omaha Celebration by Pat Metheny is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pathmaker | Pat Metheny | B Minor | 1 | 10A | 135 BPM | ||
| Blues For The Orient - Remastered 2023 | Yusef Lateef | C Major | 3 | 8B | 123 BPM | ||
| The Musician | Return To Forever | F Minor | 4 | 4A | 129 BPM | ||
| Soulero | Kenny Burrell, Grover Washington, Jr. | C Major | 7 | 8B | 115 BPM | ||
| Sienna | Lyle Mays | A Minor | 3 | 8A | 114 BPM | ||
| Moonlight In Vermont | Jimmy Bruno | C Major | 1 | 8B | 97 BPM | ||
| Rush Hour | Yellowjackets | D♭ Minor | 7 | 12A | 126 BPM | ||
| River Quay | Pat Metheny | C Minor | 3 | 5A | 97 BPM | ||
| B & G (Midwestern Nights Dream) | Gary Burton Quartet, Eberhard Weber | B Minor | 1 | 10A | 109 BPM | ||
| August | Lyle Mays | E Minor | 1 | 9A | 112 BPM | ||
| Palladium | Weather Report | A Major | 8 | 11B | 116 BPM | ||
| Lawns | Carla Bley | G Major | 0 | 9B | 120 BPM | ||
| Footprints | Pat Martino | D Minor | 2 | 7A | 138 BPM | ||
| Spectrum | Billy Cobham | D♭ Major | 8 | 3B | 125 BPM | ||
| Daahound | Emily Remler | F♯ Major | 3 | 2B | 118 BPM | ||
| 1ère gymnopédie | Enrico Pieranunzi, André Ceccarelli, Diego Imbert | D Major | 3 | 10B | 132 BPM | ||
| Last Train Home | Gilad Hekselman | B♭ Major | 3 | 6B | 97 BPM | ||
| Amsterdam After Dark | Ingrid Jensen, George Coleman | B Minor | 1 | 10A | 135 BPM | ||
| Birth | David Binney | F♯ Major | 6 | 2B | 102 BPM | ||
| Relaxing At Camarillo | Jonathan Kreisberg, Larry Grenadier, Bill Stewart | C Major | 3 | 8B | 203 BPM | ||
| The Girl Who Cried Champagne | Carla Bley | C Major | 4 | 8B | 171 BPM | ||
| Liebeslied | Wolfgang Muthspiel, Gilad Hekselman | B Minor | 1 | 10A | 135 BPM | ||
| Eyes That Can See In The Dark | Eberhard Weber, Colours | G Major | 4 | 9B | 78 BPM | ||
| Flying High | McCoy Tyner Trio | F Major | 7 | 7B | 130 BPM | ||
| Both Sides of the Coin | Steps Ahead | F♯ Major | 5 | 2B | 122 BPM |