"Concrete Field" by Sebastian Selke, Ceeys had its release date on May 27, 2016. This song is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. There are a total of 8 in the song's album "The Grunewald Church Session". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Concrete Field is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concrete Field by Sebastian Selke, Ceeys having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You'll Miss Us One Day | Ben Lukas Boysen | C Major | 1 | 8B | 144 BPM | ||
| Café | amiina | D Minor | 4 | 7A | 134 BPM | ||
| Some Chords For A Siren | John Hayes | B Major | 1 | 1B | 117 BPM | ||
| Falling Ocean | Chad Lawson | E♭ Major | 1 | 5B | 164 BPM | ||
| Ostinato | Felix Rösch | D Minor | 2 | 7A | 128 BPM | ||
| Arrive | Pete Kuzma | C Major | 1 | 8B | 120 BPM | ||
| The Lake | René Aubry | E♭ Major | 1 | 5B | 103 BPM | ||
| Patsy - Instrumental | Rachel Grimes | B Minor | 2 | 10A | 99 BPM | ||
| For Leah | Anne Müller | E Minor | 1 | 9A | 182 BPM | ||
| LUV | Martin Kohlstedt | E Minor | 3 | 9A | 165 BPM | ||
| Continuum I | Jane Antonia Cornish, Decoda | F♯ Minor | 1 | 11A | 90 BPM | ||
| Grande | Stimming x Lambert | B Minor | 5 | 10A | 132 BPM | ||
| Woods of Admittance | Sebastian Mullaert, Tonhalle-Orchester Zürich | B Major | 2 | 1B | 125 BPM | ||
| Mood in A | Parra for Cuva | D♭ Major | 6 | 3B | 120 BPM | ||
| Hover, Over, Me | Sebastian Selke, Ceeys | D Major | 3 | 10B | 90 BPM | ||
| Black White Felt | Roedelius, Arnold Kasar | G Major | 1 | 9B | 92 BPM | ||
| See You in São Paulo | Chelsea McGough | E♭ Major | 3 | 5B | 105 BPM | ||
| Pietermaritzburg | Felix Laband | C Minor | 2 | 5A | 100 BPM | ||
| Don't Worry | Zoë Keating | C Major | 1 | 8B | 138 BPM | ||
| Fall | Sebastian Selke, Daniel Selke, Ceeys | A Minor | 2 | 8A | 140 BPM | ||
| Racing To Belong (Re-imagined) | Frances Shelley, Cedric Vermue | B♭ Minor | 6 | 3A | 110 BPM | ||
| Pink And Golden Billows | Brambles | A♭ Minor | 3 | 1A | 120 BPM | ||
| Parallel (feat. Manu Delago) | Poppy Ackroyd, Manu Delago | C Major | 2 | 8B | 110 BPM | ||
| Finding Stillness | Music Within | C Major | 0 | 8B | 57 BPM | ||
| Space | Cellomano | A Minor | 3 | 8A | 140 BPM |