"Ave Maria" by Klaus Gesing had its release date on February 15, 2015. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Realtime". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Austria. Ave Maria is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ave Maria by Klaus Gesing having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concentration 1 | Uli Rennert, Gerald Preinfalk, Klaus Gesing, Peter Kunsek | E♭ Major | 0 | 5B | 92 BPM | ||
| Caravan moving | Ketil Bjørnstad | A Minor | 3 | 8A | 113 BPM | ||
| Migration | Arve Henriksen | B♭ Minor | 2 | 3A | 172 BPM | ||
| The Day After | Tingvall Trio | D Minor | 2 | 7A | 62 BPM | ||
| The Beauty of Sundays | Arve Henriksen, Harmen Fraanje | G Minor | 0 | 6A | 111 BPM | ||
| Composition 6 | Peter Herbert, Uli Rennert, Klaus Gesing | D Major | 1 | 10B | 83 BPM | ||
| Exodus to Star Wars 1 | David Helbock, Raphael Preuschl, Reinhold Schmölzer | A Minor | 0 | 8A | 129 BPM | ||
| Just Sometimes | Norma Winstone, Klaus Gesing, Glauco Venier | B♭ Minor | 0 | 3A | 74 BPM | ||
| Distance | Norma Winstone, Klaus Gesing, Glauco Venier | B♭ Minor | 0 | 3A | 79 BPM | ||
| For All We Know | Karin Krog, Rob Luft, John Surman | D Major | 0 | 10B | 153 BPM | ||
| Gloria, Improvisation | Trygve Seim, Andreas Utnem | F Major | 2 | 7B | 98 BPM | ||
| Theme from Schumann's Piano Concerto | David Helbock, Julia Hofer, Lorenz Raab | D Major | 5 | 10B | 112 BPM | ||
| The Prodigal Song | Tord Gustavsen Quartet | A Minor | 1 | 8A | 101 BPM | ||
| Ombres | Michel Portal | E♭ Minor | 1 | 2A | 73 BPM | ||
| A new Day | Eduard Prost | D Major | 0 | 10B | 153 BPM | ||
| To Stanko | Jakob Bro, Arve Henriksen, Jorge Rossy | F Minor | 0 | 4A | 106 BPM | ||
| Gomme | Markus Stockhausen, Ferenc Snétberger, Arild Anderson | D Major | 7 | 10B | 117 BPM | ||
| Painted Measures | Hermione Dark | C Major | 0 | 8B | 132 BPM | ||
| The Mission (From "the Mission") | Stavros Lantsias Quartet | G Major | 2 | 9B | 81 BPM | ||
| Joyosa | Markus Stockhausen, Ferenc Snétberger, Arild Anderson | D Minor | 3 | 7A | 114 BPM | ||
| Free Fall | Johannes Berauer, Gwilym Simcock, Klaus Gesing | F Major | 2 | 7B | 172 BPM | ||
| In Between | Emil Brandqvist Trio | C Minor | 3 | 5A | 135 BPM | ||
| Nostalgia | Klaus Gesing, Björn Meyer, Samuel Rohrer | C Major | 1 | 8B | 66 BPM | ||
| Entrance | Tord Gustavsen Quartet | D♭ Minor | 0 | 12A | 75 BPM | ||
| Refraction | Klaus Gesing, Björn Meyer, Samuel Rohrer | F♯ Major | 3 | 2B | 113 BPM |