Lata Mangeshkar's 'Lo Aa Gayi Unki Yaad' had a release date set for January 1, 1966. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 6 in Do Badan by Ravi, Shakeel Badayuni. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Lo Aa Gayi Unki Yaad is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lo Aa Gayi Unki Yaad by Lata Mangeshkar is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dekh Lo Aaj Hamko | Jagjit Kaur | A♭ Major | 4 | 4B | 88 BPM | ||
| Yun Zindagi Ki | Chitra Singh | A♭ Major | 5 | 4B | 104 BPM | ||
| Aye Sanam Tujhse Main | Ahmed Hussain, Mohammed Hussain | A Minor | 5 | 8A | 131 BPM | ||
| Chalo Dildar Chalo | Mohammed Rafi, Lata Mangeshkar | E Major | 5 | 12B | 139 BPM | ||
| Tadbeer Se Bigdi Huyi Taqdeer | Geeta Dutt | A♭ Minor | 3 | 1A | 123 BPM | ||
| Aisa Sama Na Hota | R. D. Burman, Lata Mangeshkar | A♭ Minor | 7 | 1A | 86 BPM | ||
| Sanware Sanware Kahe Mose | Ravi Shankar, Lata Mangeshkar | E Minor | 3 | 9A | 79 BPM | ||
| Aap Aaye To | Mahendra Kapoor, Sahir Ludhianvi | E♭ Minor | 3 | 2A | 104 BPM | ||
| Tere Bheege Bheege Badan Ki Khushboo | Mehdi Hassan | B♭ Minor | 5 | 3A | 80 BPM | ||
| Ae Dil Mujhe Bata De | Geeta Dutt | D Major | 6 | 10B | 87 BPM | ||
| Aa Bhi Jao Zindagi Kam Hai | Chandan Dass | E Minor | 4 | 9A | 95 BPM | ||
| Dialogues And Ishq Mujhko Nahin | Chitra Singh, Naseeruddin Shah | F Major | 5 | 7B | 92 BPM | ||
| Buhat Khobsoorat Hai Mera Sanam | Mehdi Hassan | C Minor | 7 | 5A | 141 BPM | ||
| Goom Hai Kisi Ke Pyar Mein (From "Raampur Ka Lakshman") | Kishore Kumar, Lata Mangeshkar | C Minor | 3 | 5A | 117 BPM | ||
| Milo Na Tum To Hum Ghabraye (From "Heer Ranjha") | Tabassum, Lata Mangeshkar | G Minor | 6 | 6A | 147 BPM | ||
| Are Jane Kaise Kab Kahan Iqrar | Kishore Kumar, Lata Mangeshkar | G Major | 5 | 9B | 127 BPM | ||
| Ye Samaa Samaa Hai Pyar Ka | Lata Mangeshkar | F Major | 4 | 7B | 127 BPM | ||
| Afsana Likh Rahi Hoon | Uma Devi | E♭ Major | 3 | 5B | 79 BPM | ||
| Dialogues And Na Koi Umang Hai And Dialogues | Asha Parekh, Lata Mangeshkar, R. D. Burman | E♭ Minor | 7 | 2A | 158 BPM | ||
| Ye Mulaqat Ek Bahana Hai - From "Khandaan" | Lata Mangeshkar | F♯ Minor | 7 | 11A | 117 BPM | ||
| Ek Na Ek Shama Andhere Mein Jalaye Rakhiye | Chitra Singh | D Major | 2 | 10B | 106 BPM | ||
| Meri Kismat Mein Tu Nahin Shayad - HiFi Jhankar Beats | Hero And King Of Jhankar Studio, Lata Mangeshkar, Suresh Wadkar | E Major | 6 | 12B | 116 BPM | ||
| Pardesi Pardesi - Sad Version | Suresh Wadkar, Bela | A Minor | 4 | 8A | 74 BPM | ||
| Kahin Pe Nigahen Kahin Pe Nishana | O. P. Nayyar, Majrooh Sultanpuri | E♭ Major | 3 | 5B | 106 BPM | ||
| Teri Tasveer Ko | K. J. Yesudas | B Major | 4 | 1B | 125 BPM |