"Get Gone" by Robert D. Sands Jr. had its release date on November 6, 2017. With This song being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 15 in Electronic Crime Score by Various Artists. In terms of popularity, Get Gone is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Get Gone by Robert D. Sands Jr. is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brazilian Beat: Salvador | Robert D. Sands Jr. | D♭ Major | 10 | 3B | 125 BPM | ||
| Amethyst Nebula | Milo Astra | A♭ Minor | 5 | 1A | 104 BPM | ||
| Cieli di Vetro | Milo Sparks | G Minor | 5 | 6A | 127 BPM | ||
| Gravity Waves | Dj Peluche | F♯ Minor | 2 | 11A | 91 BPM | ||
| Ouch Ouch Conga | The Percussion Factory | F♯ Major | 10 | 2B | 92 BPM | ||
| Ceyda Alev | Ocypylis | F Major | 0 | 7B | 140 BPM | ||
| Dead Cell Theory | Dj Peluche | A♭ Minor | 5 | 1A | 104 BPM | ||
| Maze | Aerophane | F♯ Major | 0 | 2B | 71 BPM | ||
| Epoch | Clean Pies | E Minor | 2 | 9A | 120 BPM | ||
| Suspense Horror Sounds | It Lives Down Below | D♭ Major | 0 | 3B | 70 BPM | ||
| Sunset Lovers | Meridvyn | D Major | 5 | 10B | 155 BPM | ||
| Thumping Noise | Freshen | B♭ Minor | 4 | 3A | 122 BPM | ||
| Calm Wind Synth | Men Creek | A Minor | 0 | 8A | 119 BPM | ||
| Fragmentos de un Código Roto | DJ LUZ | A♭ Minor | 5 | 1A | 104 BPM | ||
| Mystery Background | Petar Milinkovic | A Minor | 1 | 8A | 70 BPM | ||
| Goodbye to the Siren | Nerida Tyson-Chew | D Minor | 5 | 7A | 120 BPM | ||
| Persona Leer | dj lincon | A♭ Minor | 5 | 1A | 104 BPM | ||
| The Countdown Is On | Tatjana Iljasova | D♭ Major | 4 | 3B | 110 BPM | ||
| Double Lives | Bisty | F♯ Minor | 4 | 11A | 122 BPM | ||
| Verbum | Aerophane | B Minor | 5 | 10A | 96 BPM | ||
| Masters of the Kitchen | Pinnacle Audio | E Minor | 2 | 9A | 112 BPM | ||
| Empty And Abandoned | Robert D. Sands Jr., William Jay Stein, Michael Rosen | F Major | 2 | 7B | 145 BPM | ||
| Concentrated Calm | Nick Bardoni, Steve Warr | C Minor | 0 | 5A | 77 BPM | ||
| Borrar el coral | DJ Mareo | A♭ Minor | 5 | 1A | 104 BPM | ||
| Rosmarinus | Aerophane | G Major | 4 | 9B | 172 BPM |