On January 8, 2017, the song "Sevege Ba Poojege Ba" was released by B. R. Chaya. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Sevege Ba Poojege Ba's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in B. R. Chaya's "Kukke Subrmanya Amruthagaana" album is number 3 out of 17. On top of that, India appears to be the country where this track was created. Based on our statistics, Sevege Ba Poojege Ba's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Sevege Ba Poojege Ba by B. R. Chaya to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ede Thumbi Haadidenu | Mysore Ananthaswamy | F Minor | 7 | 4A | 198 BPM | ||
| Hakkiya Hegala Yeri | Vidyabhushana | C Minor | 7 | 5A | 115 BPM | ||
| Thingalu Mulugidavu | Appegere Thimmaraju, K.S. Surekha, Chandrika Gururaj | F Major | 5 | 7B | 80 BPM | ||
| Ashlesha Poojeya Madona | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM | ||
| Joa Joa Joa Lali | Kavita Krishnamurthy | F Major | 4 | 7B | 85 BPM | ||
| Yaava Deshada Gandu Ivanu | B.K. Sumitra | D Major | 6 | 10B | 101 BPM | ||
| Mooru Kannina | Yuvaraj, Vijay Ygnanarayana | F♯ Major | 8 | 2B | 110 BPM | ||
| Parvathi Nandanane | Puttur Narasimha Nayak, Rathnamala Prakash | D Major | 6 | 10B | 141 BPM | ||
| Jayathu Jayavitala | P. B. Sreenivas | G Major | 5 | 9B | 148 BPM | ||
| Thanuvu Ninnadu | Mysore Ananthaswamy | G Major | 5 | 9B | 93 BPM | ||
| Idhe Nanna Uttara | P. B. Sreenivas | B Major | 7 | 1B | 120 BPM | ||
| Hendathiyobbalu | Mysore Ananthaswamy | F Minor | 7 | 4A | 198 BPM | ||
| Kodagana Koli Nungittha | Shimoga Subbanna | A Minor | 6 | 8A | 131 BPM | ||
| Annayya Neevu | K. Yuvaraj, Abbas Abbalagere | E Major | 7 | 12B | 103 BPM | ||
| Bellakki Nachuvanga | Basavarja Narendra | C Major | 9 | 8B | 128 BPM | ||
| Kaapadu | Anuradha Sriram | B♭ Major | 8 | 6B | 95 BPM | ||
| Manada Hambalada | M. D. Pallavi | G Minor | 5 | 6A | 125 BPM | ||
| Ondu Munjaavinalli | B. R. Chaya | F Major | 4 | 7B | 169 BPM | ||
| Atthe Maava Gange | Veerabhadra S. Soundi, Sujatha Dutt, Puttur Narasimha Nayak, Surekha, Pallavi, B. R. Chaya, Premalatha | D Minor | 6 | 7A | 182 BPM | ||
| Jogula Baviyalli Jalaka Madi | Shabbir Dange, Sujatha Dutt | D Major | 8 | 10B | 132 BPM | ||
| Malenadina E Sobagina | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, Soumya | G Minor | 3 | 6A | 112 BPM | ||
| Belaga Munjanedaaga | Kasturi Shankar | G Minor | 3 | 6A | 135 BPM | ||
| Nee Heenga Nodabeda | Rajkumar Bharathi | C Minor | 5 | 5A | 135 BPM | ||
| Bhagyada Lakshmi | Vidyabhushana | D Minor | 5 | 7A | 177 BPM | ||
| Minchuhola | V. Manohar, Rajesh, Suma Shastry | B♭ Minor | 4 | 3A | 117 BPM |