Drones's ' "Mutiny" was released on its scheduled release date, December 5, 2011. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Drones's "Mutiny" album is number 2 out of 11. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mutiny is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Mutiny by Drones to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| What Would Cliff Burton Do? | Consumed | D♭ Minor | 10 | 12A | 156 BPM | ||
| Raise the Stakes | Drones | A Major | 10 | 11B | 148 BPM | ||
| Closer | Misconduct | B♭ Major | 10 | 6B | 120 BPM | ||
| Pull the Trigger | PMX | D♭ Major | 10 | 3B | 200 BPM | ||
| Hairline | Belvedere | B♭ Minor | 10 | 3A | 169 BPM | ||
| Killing Me | PEARS | D♭ Major | 9 | 3B | 170 BPM | ||
| This Is Home | No Real Hero | A Major | 10 | 11B | 194 BPM | ||
| So Typical | Coldfront | D♭ Major | 10 | 3B | 140 BPM | ||
| Accelerate | Riskee & The Ridicule | A♭ Major | 10 | 4B | 186 BPM | ||
| Also, Spiders | Call Me Malcolm | D♭ Minor | 10 | 12A | 103 BPM | ||
| I Call Bullshit | The Bombpops | D Major | 9 | 10B | 107 BPM | ||
| The Bells | Strike Anywhere | G Major | 10 | 9B | 83 BPM | ||
| Deviant | Decent Criminal | A♭ Major | 9 | 4B | 145 BPM | ||
| Call Your Own | Drones | C Major | 10 | 8B | 202 BPM | ||
| 65 Nickels | Pkew Pkew Pkew | D Major | 10 | 10B | 185 BPM | ||
| Double Arrows Down | The Bombpops | B Minor | 10 | 10A | 110 BPM | ||
| Race to Oblivion | Ship Thieves | C Major | 9 | 8B | 97 BPM | ||
| Edge of the Inferno (2) | Rhythmic Wildfire Ramziel | E Major | 9 | 12B | 158 BPM | ||
| Liquid Blues Overdrive | EchoisRockFirestorm | F♯ Minor | 9 | 11A | 156 BPM | ||
| Bricking the Lord | Primetime Failure | D Major | 10 | 10B | 126 BPM | ||
| Shameless | We Were Sharks | D Major | 10 | 10B | 180 BPM | ||
| Bring Me Down | We Were Sharks | E Major | 10 | 12B | 180 BPM | ||
| You Used to Have a Garden | Much The Same | D♭ Major | 10 | 3B | 105 BPM | ||
| Promises | Have No Heroes | B♭ Minor | 10 | 3A | 117 BPM | ||
| I Remember | Runaway Kids | F Major | 10 | 7B | 160 BPM |