"The Night We Called It a Day" by Michael John Hall had its release date on June 20, 2014. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. The Night We Called It a Day's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michael John Hall's "Midnight Whispers: Songs in the Key of Sleep" album is number 6 out of 17. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Night We Called It a Day's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Night We Called It a Day by Michael John Hall to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Năng Lượng Cho Một Ngày Mới - Nhạc Không Lời | Tam Vinh Producer, AudioBay | C Major | 0 | 8B | 136 BPM | ||
| Dreamy Week | Driftwave | D Major | 0 | 10B | 139 BPM | ||
| Soft Felt Piano – Deep Night Focus | Dreamshift | C Minor | 1 | 5A | 65 BPM | ||
| Waves | Il Sonno | F♯ Minor | 1 | 11A | 96 BPM | ||
| Fragile | HANI | E♭ Major | 1 | 5B | 116 BPM | ||
| Binary | A Longlands | B Minor | 0 | 10A | 65 BPM | ||
| Dirigibile | Giosi Roma | A Minor | 2 | 8A | 153 BPM | ||
| Kinderszenen, Op. 15: No. 7, Träumerei (Arr. for Piano By Nikolaj Abramson) | Schumann, Nikolaj Abramson | C Major | 0 | 8B | 80 BPM | ||
| That's All | Georgia Marie Parker | B♭ Major | 0 | 6B | 128 BPM | ||
| Cheek to Cheek | Georgia Marie Parker | A♭ Major | 0 | 4B | 64 BPM | ||
| Mare | FABURRY | B Major | 1 | 1B | 86 BPM | ||
| In Questo Caso Milano | Marco Mingardi | C Major | 1 | 8B | 103 BPM | ||
| What a Wonderful World | Samuel Scott King | F Major | 0 | 7B | 67 BPM | ||
| Gently Falling Rain | DIZA MAT | E♭ Major | 1 | 5B | 113 BPM | ||
| Cafe Lounge | Peggy Goodman, Erik Himmel, Leo Grover | A Minor | 1 | 8A | 91 BPM | ||
| Kỳ Nghỉ Lý Tưởng Tại Chuỗi Khách Sạn Cao Cấp Sapa | Pia Solo | E♭ Major | 0 | 5B | 171 BPM | ||
| The Hollow Frame | Sofia Petrova | G Major | 1 | 9B | 70 BPM | ||
| Month's Trip | Lisa Hugon | E Major | 0 | 12B | 117 BPM | ||
| Archipielago | DIZA MAT | C Major | 1 | 8B | 68 BPM | ||
| Saman | Dominic Decoco, Olin Wils | A Minor | 0 | 8A | 68 BPM | ||
| Melody | Chiara Attanasio, Hireneus | B♭ Major | 1 | 6B | 72 BPM | ||
| Murmurs on the Written Path | Hugo Focus | B♭ Minor | 0 | 3A | 134 BPM | ||
| Someone to Watch over Me | Samuel Scott King | A♭ Major | 0 | 4B | 64 BPM | ||
| Love Became Real | Pianova | A Minor | 0 | 8A | 68 BPM | ||
| Broken Chains | White As Snow | D Major | 0 | 10B | 68 BPM |