"Kidnapped" by George Fenton had its release date on February 8, 2019. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 18 out of 26 in Cold Pursuit (Original Motion Picture Soundtrack) by George Fenton. In terms of popularity, Kidnapped is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Kidnapped by George Fenton is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| First Kiss | FELIX MEAGHER, Bill Risby | G Major | 2 | 9B | 116 BPM | ||
| Meet Me At Cafe Lalo | George Fenton | G Major | 1 | 9B | 108 BPM | ||
| Daniel and the Kids | Howard Shore | C Major | 1 | 8B | 120 BPM | ||
| Brideshead Revisited: No. 21, The End of Our Day | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E♭ Major | 0 | 5B | 114 BPM | ||
| The Deer | William Ross | B Minor | 2 | 10A | 92 BPM | ||
| Mia Invites Lilly To The Ball - Score | John Debney | A Major | 0 | 11B | 122 BPM | ||
| Lucille's Theme | Maurizio Malagnini | E Major | 1 | 12B | 132 BPM | ||
| You Weren't There | George Fenton | G Major | 0 | 9B | 60 BPM | ||
| I'll Give You My Heart | Cliff Eidelman | G Major | 0 | 9B | 85 BPM | ||
| The Kite - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 1 | 8B | 68 BPM | ||
| Endless Night - The House | Dominik Scherrer | A Major | 2 | 11B | 123 BPM | ||
| Dancing Lessons | Daniel Pemberton | C Major | 5 | 8B | 78 BPM | ||
| North and South Title Theme (From "North and South") [2004 Version] | Regency Players | D Minor | 2 | 7A | 82 BPM | ||
| What A Beautiful Day! | George Fenton | E Major | 3 | 12B | 125 BPM | ||
| Jessie and Norman | Mark Isham | D Major | 1 | 10B | 94 BPM | ||
| I Do Nothing Every Day | Geoff Zanelli, Jon Brion | G Major | 1 | 9B | 74 BPM | ||
| Opening Title - From "Dear Frankie" | Alex Heffes | A Major | 3 | 11B | 67 BPM | ||
| Austenland Symphony: I. Sonata | Ilan Eshkeri | C Major | 2 | 8B | 89 BPM | ||
| One Down In Gaza | W.G. Snuffy Walden | G Major | 1 | 9B | 69 BPM | ||
| The Grand Ball | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 126 BPM | ||
| Leaving Netherfield - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | C Minor | 1 | 5A | 104 BPM | ||
| Keep Your Wig On | James Shearman, Nick Ingman | E♭ Major | 2 | 5B | 148 BPM | ||
| Milk and Cookies | Christian Henson | G Minor | 0 | 6A | 152 BPM | ||
| Dad's Advice | William Ross | D♭ Major | 0 | 3B | 137 BPM | ||
| This Too Shall Pass | Matthew J Webster, The Budapest Scoring Orchestra | F Minor | 3 | 4A | 150 BPM |