Jon Kahn's ' "We're All that We've Got Left" was released on its scheduled release date, January 1, 2007. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 13 in Careless Conversation by Jon Kahn. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, We're All that We've Got Left is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of We're All that We've Got Left by Jon Kahn is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It Won't Be Long | George Birge | E♭ Major | 6 | 5B | 136 BPM | ||
| What a War | Matt Mathews | C Major | 4 | 8B | 82 BPM | ||
| The Man Upstairs | Frank Foster | E♭ Major | 5 | 5B | 141 BPM | ||
| What Color's Your Wild | Trace Adkins | A Major | 8 | 11B | 136 BPM | ||
| Beauty In The Broken | Pryor Baird | G Major | 4 | 9B | 79 BPM | ||
| Lift Me Up | Darius Rucker | F♯ Major | 5 | 2B | 121 BPM | ||
| God's Hand | Matthew West | F♯ Major | 7 | 2B | 136 BPM | ||
| Days That We Dreamed Of | Rhett Walker | B Major | 4 | 1B | 124 BPM | ||
| I'm Fine, But I Ain’t(Remastered) | Will Thiery | E♭ Major | 4 | 5B | 146 BPM | ||
| The Man I'm Meant to Be | Anointed Family | F Major | 4 | 7B | 82 BPM | ||
| When I'm Gone (Remastered) | Will Thiery | G Major | 5 | 9B | 164 BPM | ||
| Proof | Seth Addison | E♭ Minor | 5 | 2A | 78 BPM | ||
| Better Days Ahead | Owen Thomas, Lily-May Young, Samuel Jack Drury, Duncan Grant, Connor McMahon, Brit MacRae | B♭ Minor | 7 | 3A | 172 BPM | ||
| Keep Standing | RUWA Music | G Major | 6 | 9B | 126 BPM | ||
| Looking Up | Sidewalk Prophets, Megan Danielle | D♭ Major | 4 | 3B | 77 BPM | ||
| A Million | Jon Kahn | G Major | 5 | 9B | 112 BPM | ||
| Fighting For America | Thomas Mac | B♭ Major | 7 | 6B | 97 BPM | ||
| I Swear by Old Glory | County Line Redemption | F♯ Major | 3 | 2B | 141 BPM | ||
| Horses In Heaven | Randy Travis | C Major | 4 | 8B | 140 BPM | ||
| Midnight Radio | Geoffrey Palmer | E♭ Minor | 6 | 2A | 161 BPM | ||
| Somewhere In the Middle | Will Moseley, Nate Baker | A♭ Major | 5 | 4B | 150 BPM | ||
| Footprints in the Sand | Lantern Ash | D♭ Major | 5 | 3B | 140 BPM | ||
| Wings | Jackson Dean | C Major | 5 | 8B | 140 BPM | ||
| Lead Me On | Matt McClure | E♭ Major | 5 | 5B | 150 BPM | ||
| Go Out Like That - Live from The Road | Jon Wood, The Road | D♭ Major | 4 | 3B | 180 BPM |