Márcio Faraco's ' "Baile De Mascaras" was released on its scheduled release date, January 1, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 11 in Ciranda by Márcio Faraco. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Baile De Mascaras is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Baile De Mascaras by Márcio Faraco is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nada É Perfeito | Mariana Ramos | B Minor | 6 | 10A | 88 BPM | ||
| Quando o Carnaval Chegar | Marcia Salomon | A♭ Major | 1 | 4B | 112 BPM | ||
| Il n'est jamais trop tard | Cheikh Lô | G Major | 5 | 9B | 84 BPM | ||
| Mire E Veja | Luisa Maita | E Minor | 4 | 9A | 75 BPM | ||
| Bola Azul | Teofilo Chantre | B Minor | 5 | 10A | 83 BPM | ||
| All The Lovers Come And Go These Days | Hugh Coltman | B Minor | 5 | 10A | 120 BPM | ||
| Berimbau | Bossacucanova, Os Cariocas | F Major | 6 | 7B | 140 BPM | ||
| Oh Menel | Maria de Barros | A Minor | 5 | 8A | 148 BPM | ||
| Les Lendemains de Carnaval (with Raphaële Lannadère) | Nancy Vieira, L (Raphaële Lannadère) | F♯ Minor | 3 | 11A | 78 BPM | ||
| O Bonde do Dom | Marisa Monte | D Minor | 4 | 7A | 124 BPM | ||
| A Vontade | Bruno Morais | B Minor | 5 | 10A | 90 BPM | ||
| À quoi ça sert l'amour | Márcio Faraco | D Major | 4 | 10B | 90 BPM | ||
| Povo M`povo | Monoswezi | F Major | 5 | 7B | 141 BPM | ||
| Sambolero [1] | Luiz Bonfá | F♯ Minor | 0 | 11A | 105 BPM | ||
| Dimokránsa | Mayra Andrade | F♯ Minor | 3 | 11A | 154 BPM | ||
| The Wise Man Who Cried Every Night | Biel Ballester, Leo Hipaucha, Oriol González | F♯ Minor | 3 | 11A | 105 BPM | ||
| Cocha Bamba | Flavia Coelho | C Major | 4 | 8B | 140 BPM | ||
| Garimpo | Antonia Adnet | D Major | 3 | 10B | 148 BPM | ||
| Cucli | Bau | G Minor | 5 | 6A | 149 BPM | ||
| Ilha de Santiago | Mayra Andrade | A Major | 4 | 11B | 90 BPM | ||
| Mim Ê Bô | Tito Paris | F♯ Minor | 7 | 11A | 95 BPM | ||
| Falando de Amor | Quarteto Jobim-Morelenbaum | G Minor | 2 | 6A | 88 BPM | ||
| Segunda feira | Nu Braz | D♭ Major | 7 | 3B | 120 BPM | ||
| Kanou | Fatoumata Diawara | E Major | 3 | 12B | 118 BPM | ||
| Shantytown Carnival | Jehro | D♭ Minor | 6 | 12A | 92 BPM |