Rajendra Paala's ' "Koi Taataniya" was released on its scheduled release date, October 4, 2004. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Nisha Upadhyay, Rajendra Paala, Nayan Rathod's "Khel Khel Re Bhavani Maa" album is number 3 out of 4. Based on our statistics, Koi Taataniya's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Koi Taataniya by Rajendra Paala to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sadiya Lai Da Balam Calcutiya | Indu Sonali, Koras | F♯ Major | 10 | 2B | 125 BPM | ||
| Maine Ratna Lahyee Radha Naam Ki | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Minor | 4 | 1A | 122 BPM | ||
| Vinavo Hoy To Rush | Damyanti Bardai | F♯ Major | 9 | 2B | 122 BPM | ||
| Swarg Evam Moksha Praapti Mantra | Jitender Singh | E♭ Major | 6 | 5B | 91 BPM | ||
| Mara Ghat Ma Birajta Shrinathji | Radha Krishna Maharaj | F Minor | 5 | 4A | 118 BPM | ||
| Madi Ashapura Ne | Master Rana | F Minor | 6 | 4A | 68 BPM | ||
| ARJUN GEETA | NIDHI DHOLKIYA-NITIN DEVKA | E♭ Major | 6 | 5B | 140 BPM | ||
| Mane Tara Vina Mann Naa Laage | Rajdeep Barot, Vanita Barot | F Major | 7 | 7B | 126 BPM | ||
| Kesuda Ne Veshe | Achal Mehta | A♭ Major | 4 | 4B | 167 BPM | ||
| Aarti Omjai Shiv Om | Pramita | A♭ Major | 5 | 4B | 105 BPM | ||
| Swaminarayan Bhajre | Shree Swaminarayan Mandir Kalupur, Zalak Pandya, Salim Merchant | F Minor | 6 | 4A | 92 BPM | ||
| Aavo Aangne Re Mara Latkala Ghanshyam | Geeta Rabari, Maulik Mehta | A♭ Major | 9 | 4B | 140 BPM | ||
| Bhor Bhayi Din Chad Gaya | Anuradha Paudwal | F♯ Major | 7 | 2B | 180 BPM | ||
| Garbo Gabbar Gokh Thi | Dhruav Tailor | D♭ Major | 6 | 3B | 144 BPM | ||
| Ab Ayib Gelechhi Aha Ke Darbaar Maa | Poonam Mishra | A♭ Major | 6 | 4B | 83 BPM | ||
| Beera - Rima Jhima Su Mhare Ayejyo | Seema Mishra | A♭ Major | 8 | 4B | 99 BPM | ||
| Sati Sitaji | Hari Bharwad | F Minor | 6 | 4A | 110 BPM | ||
| Shree Vishwambhari Stuti - Mataji Ni Stuti | Bipin Sathiya, Jayshree Bhojaviya | A Major | 5 | 11B | 117 BPM | ||
| Chamunda Chhe Ranchandi | Rajendra Paala | F♯ Major | 6 | 2B | 196 BPM | ||
| MARA SHRI NATHJI NO BHARE CHHE LATKO | Nidhi Dholkia | F♯ Major | 5 | 2B | 162 BPM | ||
| Ambaji Hivade Jhule | Rekha Rawal, Rajendra Paala | E♭ Minor | 6 | 2A | 158 BPM | ||
| Thara Mandir M Lagi Jaga Jyot Devi Mhari Jagdamba | Ashwin Yadav | B♭ Major | 10 | 6B | 145 BPM | ||
| Vijadi Ne Chamkare | Damyanti Bardai | F Minor | 8 | 4A | 103 BPM | ||
| Maro Char Paida No Rath | Utpal Jivrajani, Nidhi Dholakia | F Minor | 7 | 4A | 90 BPM | ||
| Parshva Jinanda Vama | Dilip Bafana | A♭ Major | 7 | 4B | 165 BPM |