Hugh Martin, Ralph Blane's 'Connecticut' had a release date set for January 1, 1995. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Hugh Martin, Ralph Blane's "Martin And Blane" album is number 10 out of 12. On top of that, United States appears to be the country where this track was created. Connecticut is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Connecticut by Hugh Martin, Ralph Blane to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Nata Lux | Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | C Major | 0 | 8B | 139 BPM | ||
| Lyric Pieces, Op. 68: No. 5, Cradle Song (Version for Orchestra) | Edvard Grieg, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk | F♯ Minor | 0 | 11A | 140 BPM | ||
| Psalm 148: Psalm CXLVIII | Thomas Attwood Walmisley, Michael Bloss, Choir of St John's, Elora, Noel Edison | B♭ Major | 1 | 6B | 82 BPM | ||
| Psalm 27 | Edward Cutler, Choir of St John's, Elora, Michael Bloss, Noel Edison | A♭ Major | 1 | 4B | 126 BPM | ||
| Last Week | Michael Torke, Siwoo Kim, East Coast Chamber Orchestra | G Major | 2 | 9B | 172 BPM | ||
| Transfigurations: V. Yeshua | Christopher Tin, Kantorei, Alicia Rigsby, Dylan Tyree, David Short, Nicholas Recuber, Remy Le Boeuf | B Major | 1 | 1B | 138 BPM | ||
| O Little Town of Bethlehem | Henry Walford Davies, Phillips Brooks, The Sixteen / Harry Christophers, Harry Christophers | B Minor | 1 | 10A | 73 BPM | ||
| Morning Has Broken | Jan Sanborn | B♭ Major | 3 | 6B | 140 BPM | ||
| Dvořák: Evening Songs, Op. 31, B. 61: No. 7, When I Was Looking to the Sky (Arr. Braun for Trumpet and Orchestra) | Antonín Dvořák, Lucienne Renaudin Vary, Sascha Goetzel, Orchestre de chambre de Paris | A Minor | 1 | 8A | 71 BPM | ||
| The day Thou gavest, Lord, is ended | Clement Schofield & des. Malcolm Archer, Wells Cathedral Choir, Wells Cathedral School Brass Ensemble, Malcolm Archer & Rupert Gough | A♭ Major | 1 | 4B | 81 BPM | ||
| O Clavis David | Gabriel Jackson, Choir of Merton College, Oxford, Benjamin Nicholas | C Major | 1 | 8B | 78 BPM | ||
| Song for Snow (Piano, Choir and Orchestra Version) | Florence Beatrice Price, Elizabeth Coatsworth, Chloe Flower, English National Opera Chorus, Jessica Cottis, Academy of St. Martin in the Fields | D♭ Major | 5 | 3B | 138 BPM | ||
| The Nutcracker Suite, Op. 71a: IV. Russian Dance, "Trepak" (arr. M. Lake) | Pyotr Ilyich Tchaikovsky, United States Air Force Band, Lowell Graham | D Minor | 2 | 7A | 77 BPM | ||
| Rachmaninoff: Rhapsody On A Theme Of Paganini | John Barry, John Debney, Royal Scottish National Orchestra | D♭ Major | 1 | 3B | 128 BPM | ||
| Lute-Book Lullaby | Alexander L'Estrange, Tenebrae, Nigel Short | D♭ Major | 1 | 3B | 70 BPM | ||
| Advent | Markus Fricker, Schweizer Vokalconsort, Marco Amherd | F Major | 1 | 7B | 112 BPM | ||
| The Fire Dance of Luna | Darius Lim, Philharmonischer Kinderchor Dresden, Christoph Emanuel Sprenger, Maria Burna, Claus-Peter Nebelung | A Minor | 2 | 8A | 94 BPM | ||
| War-Torn Radiance | PROJECT ACES, Bandai Namco Game Music | E Major | 2 | 12B | 133 BPM | ||
| Wish I May, Wish I Might | Hugh Martin, Ralph Blane | G Major | 6 | 9B | 145 BPM | ||
| The Trolley Song (From "Meet Me in St. Louis") [Arr. for Piano] | Hugh Martin, Ralph Blaine, Richard Glazier | E♭ Major | 2 | 5B | 83 BPM | ||
| Es loscht das Meer die Sonne aus | Friedrich Silcher, Meistersinger, Die, Klaus Breuninger | E♭ Major | 1 | 5B | 86 BPM | ||
| ラストマン -FIRST LOVE- | Hideakira Kimura | C Major | 2 | 8B | 65 BPM | ||
| Lully, Lullay | The Choir of All Saints' Episcopal Church | F Minor | 2 | 4A | 77 BPM | ||
| Guide Me O Thou Great Jehovah/He Leadeth Me | 32 Great Hymns Of Faith Performers | G Major | 2 | 9B | 91 BPM | ||
| Vivaldi: Violin Concerto in B-Flat Major, Op. 8 No. 10, RV 362, "La Caccia": I. Allegro | Antonio Vivaldi, Yehudi Menuhin, Jerzy Maksymiuk, Polish Chamber Orchestra | F Major | 3 | 7B | 136 BPM |