Bernardo Pasquini, Rinaldo Alessandrini's ' "Allemanda II" was released on its scheduled release date, April 1, 1991. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Allemanda II's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Pasquini: Sonate per gravicembalo". In this album, this song's track order is #17. Furthermore, we believe that the track originated from France. In terms of popularity, Allemanda II is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Allemanda II by Bernardo Pasquini, Rinaldo Alessandrini having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
| Concert royaux, Quatrième concert in E Minor: V. Sarabande. Très tendrement | François Couperin, Lucie Horsch, Tom Foster | E Major | 0 | 12B | 89 BPM | ||
| Trio Sonatas, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM | ||
| Missa Divi Xaverii, ZWV 12: Gloria in excelsis Deo | Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | D♭ Major | 3 | 3B | 104 BPM | ||
| Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
| L'Histoire de la femme adultère, C. 191: Simphonie | Louis-Nicolas Clérambault, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 0 | 4A | 117 BPM | ||
| Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Concerto grosso No. 1 in A Major: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 2 | 3B | 92 BPM | ||
| Couperin, L: Suite en si: II. Allemande, G. 115 | Louis Couperin, Jean Rondeau | A Minor | 3 | 8A | 58 BPM | ||
| Signora non è tempo di burlare troppo (Live) | Bernardo Pasquini, Anita Giovanna Rosati, Margherita Maria Sala, Innsbrucker Festwochenorchester, Alessandro De Marchi | G Major | 8 | 9B | 84 BPM | ||
| Purcell: The Fairy Queen, Z. 629, Act V: Chaconne | Henry Purcell, Jupiter, Thomas Dunford | B Minor | 1 | 10A | 68 BPM | ||
| Sonate in A Minor: I. Preludio | Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher | A♭ Minor | 4 | 1A | 134 BPM | ||
| Mystery Sonata No. 9 "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | A♭ Minor | 1 | 1A | 110 BPM | ||
| Concerto Grosso No. 1 in C Minor, Op. 2: I. Andante | Francesco Geminiani, L'Archicembalo | B Minor | 1 | 10A | 39 BPM | ||
| String Sonata à 5 in G Major, Op. 2 No. 1: I. Grave-Adagio | Tomaso Albinoni, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | F♯ Major | 1 | 2B | 99 BPM | ||
| Maddalena ai piedi di Cristo: No. 10 Aria Maddalena "In un bivio è il mio volere" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | A♭ Major | 1 | 4B | 68 BPM | ||
| Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
| Concerto Armonico No. 2 in B-Flat Major: Da capella presto | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 2 | 12B | 82 BPM | ||
| First Sonata, in D Major: I. Sicilienne | Joseph Bodin de Boismortier, Claire Guimond, Luc Beauséjour | C Major | 1 | 8B | 122 BPM | ||
| San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
| Messe de Requiem: I. Introit | André Campra, Les Arts Florissants, William Christie, David Tricou, Matthieu Walendzik, Igor Bouin | G Major | 3 | 9B | 134 BPM | ||
| Les Indes Galantes - 2ème Air pour les Zephirs | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | D♭ Major | 0 | 3B | 65 BPM | ||
| Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM | ||
| Sonata & Suite in B-Dur, BuxWV 273: Sonata & Suite in B-Dur, BuxWV 273: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A Major | 3 | 11B | 91 BPM | ||
| Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM |