"Luisa Fernanda, II: De Este Apacible Rincon De Madrid" by Federico Romero, Ataúlfo Argenta, Guillermo Fernandez Sahw, Federico Moreno Torroba, Gran Orquesta Sinfonica had its release date on January 1, 2000. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Federico Romero, Ataúlfo Argenta, Federico Moreno Torroba, Gran Orquesta Sinfonica, Guillermo Fernandez Sahw's "Luisa Fernanda" album is number 2 out of 13. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Luisa Fernanda, II: De Este Apacible Rincon De Madrid is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Luisa Fernanda, II: De Este Apacible Rincon De Madrid by Federico Romero, Ataúlfo Argenta, Guillermo Fernandez Sahw, Federico Moreno Torroba, Gran Orquesta Sinfonica to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ansiedad | Orquesta Sinfónica Venezuela | A♭ Major | 3 | 4B | 132 BPM | ||
| Luisa Fernanda: Mazurka de las Sombrillas | Federico Moreno Torroba, Plácido Domingo, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Ana Rodrigo | B♭ Major | 2 | 6B | 75 BPM | ||
| Donde Vas Con Mantón de Manila | Ataúlfo Argenta | E♭ Major | 4 | 5B | 96 BPM | ||
| Molinos de Viento: Pantomima, tralaralará | Felisa Herrero, Delfín Pulido | F Major | 2 | 7B | 76 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
| Sadko, Scene 4: Song of the Hindu Merchant (Hindu Merchant) | Nikolai Rimsky-Korsakov, Gennady Rozhdestvensky, Philharmonia Orchestra, Sergej Larin | C Major | 0 | 8B | 81 BPM | ||
| Sombra En Los Médanos | Orquesta Sinfónica Venezuela | C Major | 5 | 8B | 122 BPM | ||
| Servants' Chorus (Don Pasquale) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | A Major | 1 | 11B | 137 BPM | ||
| La Hiedra / Rada (feat. Orquesta Casablanca) | Raimundo Lanas, Orquesta Casablanca | A Major | 2 | 11B | 80 BPM | ||
| El Caserío: "Preludio (acto I)" | Federico Romero, Guillermo Fernández-Shaw, Jesús Guridi, Gran Orquesta Sinfonica, Ataúlfo Argenta | E♭ Major | 3 | 5B | 98 BPM | ||
| Si yo fuera millonario | ALEX2000SIEMPRE | B Minor | 3 | 10A | 114 BPM | ||
| Quien lo creyera | Gente Pescaito, Federico Romero | B♭ Major | 9 | 6B | 120 BPM | ||
| Glória para Mim | Feliciano Amaral | D♭ Major | 0 | 3B | 103 BPM | ||
| La Corte de Faraon: Coro de Viudas | Vicente Lleó, Coros Cantores De Madrid, Ataúlfo Argenta | C Major | 1 | 8B | 118 BPM | ||
| Cavalleria rusticana: Brindisi. Viva il vino spumeggiante "Drinking Song" | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 126 BPM | ||
| El barberillo de Lavapiés, Acto II: Marquesita y Don Luis | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | A Major | 4 | 11B | 81 BPM | ||
| El Barberillo de Lavapies: Jota de los Estudiantes | Francisco Asenjo Barbieri, Maria Bayo, Antonio Ros Marbà, Orquesta Sinfónica de Madrid, Carlos Javier Mendez, Javier Medina, Arturo Guanche | D Major | 3 | 10B | 101 BPM | ||
| Los gavilanes, Acto II: Amigos, siempre amigos | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | B♭ Major | 3 | 6B | 135 BPM | ||
| Agua, azucarillos y aguardiente: Coro de barquilleros | Pablo Sorozábal | D♭ Major | 4 | 3B | 124 BPM | ||
| Monte Carmelo: "Granada Mía, Ciudad de Barro" | Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica | B♭ Minor | 2 | 3A | 92 BPM | ||
| Llegaron Ya los Reyes y Eran Tres | Congregación María De Jesús, Julio Miguel | B♭ Minor | 8 | 3A | 88 BPM | ||
| H.M.S. Pinafore, Act I: A Maiden Fair to See | Gilbert & Sullivan Society of Houston | C Major | 3 | 8B | 129 BPM | ||
| La del Soto del Parral | Orquesta Y Coros Montilla | D Major | 2 | 10B | 92 BPM | ||
| Luisa Fernanda: "En Mi Tierra Extremeña" | Federico Romero, Guillermo Fernández-Shaw, Amadeo Vives, Gran Orquesta de Cámara de Madrid | G Minor | 2 | 6A | 78 BPM | ||
| Donizetti: Lucia di Lammermoor, Act III: Bridal Chorus. "D'immenso giubilo" | Gaetano Donizetti, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 131 BPM |