"Mass of the Americas: IV. Offertory "Ave Maria"" by Frank La Rocca, The Benedict XVI Choir, Richard Sparks had its release date on September 23, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 12 in Frank La Rocca: Mass of the Americas by Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Mass of the Americas: IV. Offertory "Ave Maria" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass of the Americas: IV. Offertory "Ave Maria" by Frank La Rocca, The Benedict XVI Choir, Richard Sparks is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mass for Double Choir: Kyrie | Frank Martin, Mikaeli Chamber Choir, Anders Eby | A Minor | 0 | 8A | 88 BPM | ||
| The Strife Is O’er | Basilica of the National Shrine of the Immaculate Conception Choir | D Major | 2 | 10B | 83 BPM | ||
| Gloria in D Major: Et in terra | Antonio Lotti, Mária Zádori, Judit Nemeth, Gábor Oláh, Tibor Gyenge, László Donyec, Mihály Lakatos, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc Rózsa | D Major | 0 | 10B | 84 BPM | ||
| Meditation | Frank La Rocca, Audrey Andrist | D♭ Minor | 0 | 12A | 74 BPM | ||
| Sermisy: Jouissance vous donneray | Claudin de Sermisy, Virelai | E Minor | 0 | 9A | 105 BPM | ||
| C'est par amour | Thibault Fromant, Ad Dei Gloriam | D Minor | 1 | 7A | 115 BPM | ||
| Bænhús | Sigurður Flosason, Schola Cantorum, Hörður Áskelsson | E Minor | 1 | 9A | 149 BPM | ||
| Mundy: Vox Patris Caelestis - 6. Veni Ad Me, Dilectissimum | The Tallis Scholars, Peter Phillips | A♭ Major | 2 | 4B | 92 BPM | ||
| Jubilus rhythmicus de nomini Jesu (2) | St. Bernard von Clairvaux, Ensemble Officium, Wilfried Rombach | E♭ Major | 0 | 5B | 130 BPM | ||
| Missa si Deus pro nobis, a 16 voci: VIII. Agnus Dei | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Minor | 1 | 8A | 87 BPM | ||
| We Adore You, O Christ | Richard T Proulx, The Compline Choir, Jason A. Anderson | G Major | 0 | 9B | 87 BPM | ||
| Miserere mei Deus, C. 116: VI. Docebo iniquos vias tuas | Louis-Nicolas Clérambault, La Néréide, Emmanuel Arakelian | D♭ Major | 2 | 3B | 107 BPM | ||
| The Crucifixion | The Chamber Choir of St. Tikhon's Monastery, Benedict Sheehan | D Minor | 1 | 7A | 92 BPM | ||
| Palestrina: Missa Papae Marcelli - 1b. Christe Eleison | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 128 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | E Major | 0 | 12B | 78 BPM | ||
| Ojcze Nasz | Hope Singers | D♭ Major | 2 | 3B | 74 BPM | ||
| Messe des Malades: IV. Ego sum Pastor bonus | Frank La Rocca, The Benedict XVI Choir, Michael T.C. Hey, Richard Sparks | G Major | 1 | 9B | 93 BPM | ||
| Psalm 9 "Confitebor tibi" | Thomas Attwood, John Stainer, St. Paul's Cathedral Choir, John Scott, Andrew Lucas | B♭ Major | 1 | 6B | 75 BPM | ||
| Talve öö | Pärt Uusberg, Miina Pärn, Merili Kristal, Annely Leinberg, Endrik Üksvärav, Roland Viilukas, Rasmus T, Collegium Musicale Chamber Choir | E♭ Major | 0 | 5B | 172 BPM | ||
| Benedictus sis tu | Birgitta von Schweden, Les Flamboyants, Michael Form, Susanne Ansorg, Miriam Andersén, Kelly Landerkin, Marília Vargas | C Minor | 0 | 5A | 75 BPM | ||
| Behold, How Good and Joyful a Thing It Is | Thomas Wilson, The Choir of Peterhouse, Cambridge, Simon Jackson | C Major | 1 | 8B | 171 BPM | ||
| Requiem: Salvator Mundi | Herbert Howells, Conspirare, Craig Hella Johnson | G Major | 0 | 9B | 126 BPM | ||
| Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
| Vidimus Stellam: V. Vidimus Stellam | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | A Major | 1 | 11B | 74 BPM | ||
| Christus factus est, WAB 11 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM |