On February 1, 2026, the song "Blue Suits at the Bar" was released by Milo Crescent. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in Blue Suits at the Bar and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Blue Suits at the Bar is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Blue Suits at the Bar by Milo Crescent is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vintage Relay | Redline Jazz | D Minor | 5 | 7A | 116 BPM | ||
| Nocturne Blocks | Fifth Bar | B♭ Minor | 5 | 3A | 115 BPM | ||
| Minor Chords Fade | Milo Crescent | D Minor | 5 | 7A | 97 BPM | ||
| Silver Havana | Seaside Groove | C Minor | 5 | 5A | 138 BPM | ||
| Brass Picnic | The Sunny Sides | D Minor | 4 | 7A | 97 BPM | ||
| Curtain Call Blues | Apollo Syncopators | B♭ Major | 3 | 6B | 114 BPM | ||
| The Brass Lantern | Horn Society | C Minor | 3 | 5A | 115 BPM | ||
| Bajo tu sol | Ravexon | B♭ Minor | 5 | 3A | 115 BPM | ||
| Chairman Groove | Crocodelic | C Minor | 3 | 5A | 114 BPM | ||
| Handrail Steel | Fifth Bar | B♭ Minor | 5 | 3A | 115 BPM | ||
| Afternoon Cassette | The Sunny Sides | E♭ Major | 6 | 5B | 103 BPM | ||
| Fragment Tension | Motion Ledger | B♭ Minor | 5 | 3A | 115 BPM | ||
| Floating Dreams | Elian Moore | F Minor | 6 | 4A | 178 BPM | ||
| Bakeshop Louver | Tone in Shadows | G Minor | 3 | 6A | 114 BPM | ||
| The Last Open Notebook | The Jazzlight Trio | B♭ Minor | 5 | 3A | 115 BPM | ||
| Brass Shadows | Horn Society | E♭ Major | 3 | 5B | 179 BPM | ||
| Overboot Quayfront | Jazz in Dots | G Minor | 3 | 6A | 120 BPM | ||
| Floorplan Rhapsody | Bluestroke | B♭ Minor | 5 | 3A | 115 BPM | ||
| Cruiser Afternoon | Tone in Shadows | A Minor | 4 | 8A | 120 BPM | ||
| Table Reflections | Midtown Noir | B♭ Minor | 5 | 3A | 115 BPM | ||
| Driftcurrent Notation | Shoreline Collective | B♭ Minor | 5 | 3A | 115 BPM | ||
| Natural Drift | Veranda Notes | B♭ Minor | 5 | 3A | 115 BPM | ||
| Afterglow Affairs | Midnight Riviera Club | C Minor | 3 | 5A | 100 BPM | ||
| Soft Gold Silence | Milo Crescent | B♭ Minor | 5 | 3A | 115 BPM | ||
| Underpass Footsteps | Fifth Bar | B♭ Minor | 5 | 3A | 115 BPM |