"I'm Sorry" by Everette Harp had its release date on January 1, 1994. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 13 in Common Ground by Everette Harp. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. I'm Sorry is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of I'm Sorry by Everette Harp is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Baby Come To Me | George Howard | A♭ Major | 6 | 4B | 84 BPM | ||
| What's Going On | Everette Harp | D♭ Minor | 9 | 12A | 186 BPM | ||
| Breakthrough | Cal Harris Jr. | A Minor | 6 | 8A | 113 BPM | ||
| Right On Time | Phylicia Rae, Jazmin Ghent | B♭ Major | 6 | 6B | 110 BPM | ||
| Brand New | Wayman Tisdale | E Major | 5 | 12B | 73 BPM | ||
| Midnight Drive | Michael Lington | F Minor | 5 | 4A | 109 BPM | ||
| Maputo | Brian Clay | F Major | 7 | 7B | 88 BPM | ||
| Getting Close | Dan Siegel | D♭ Major | 6 | 3B | 89 BPM | ||
| Passion Dance | Kevin Toney, Ronnie Laws | A Minor | 9 | 8A | 101 BPM | ||
| Midnight At The Oasis | Steve Oliver | A♭ Major | 8 | 4B | 101 BPM | ||
| Night Rider | Paul Taylor | G Minor | 7 | 6A | 83 BPM | ||
| Dream Your Dream | Duncan Millar | G Minor | 7 | 6A | 100 BPM | ||
| Old School | Everette Harp | C Major | 6 | 8B | 103 BPM | ||
| Happy Endings | Jeff Lorber | E Minor | 4 | 9A | 76 BPM | ||
| Sweetest Taboo | Bobby Lyle | B♭ Major | 4 | 6B | 150 BPM | ||
| Crossroads | Dan Siegel | F Minor | 5 | 4A | 88 BPM | ||
| The Ride | Kim Waters | G Major | 6 | 9B | 95 BPM | ||
| Undun | Steve Cole | E♭ Minor | 4 | 2A | 116 BPM | ||
| Smooth Groove | Nathan Mitchell | F Minor | 7 | 4A | 82 BPM | ||
| Back To Love | Jeff Kashiwa | A♭ Minor | 6 | 1A | 98 BPM | ||
| Ain't No Stoppin' Us Now | Wayman Tisdale | A♭ Major | 7 | 4B | 113 BPM | ||
| Can't Help Myself | The Sax Pack | F Minor | 7 | 4A | 113 BPM | ||
| 107 In the Shade | Alex Bugnon | D Minor | 4 | 7A | 149 BPM | ||
| That's The Way Of The World | Kim Pensyl | F♯ Major | 4 | 2B | 76 BPM | ||
| Eye 2 Eye | Najee | D Minor | 8 | 7A | 90 BPM |