The Tubes's 'I Saw Her Standing There - Live At Hammersmith Odeon, London, 1977' had a release date set for November 25, 1978. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. I Saw Her Standing There - Live At Hammersmith Odeon, London, 1977's duration is considered a little bit shorter than the average duration of a typical track. This song is part of What Do You Want From Live (Live From Hammersmith Odeon) by The Tubes. The song's track number on the album is #12 out of 17 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, I Saw Her Standing There - Live At Hammersmith Odeon, London, 1977 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since I Saw Her Standing There - Live At Hammersmith Odeon, London, 1977 by The Tubes has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With I Saw Her Standing There - Live At Hammersmith Odeon, London, 1977 being at 97 BPM, the half-time would be 48 BPM with a double-time of 194 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Feel It Again | Honeymoon Suite | B♭ Major | 6 | 6B | 122 BPM | ||
| Don't Come Around Here No More | Tom Petty and the Heartbreakers | B♭ Major | 5 | 6B | 161 BPM | ||
| I Can't Hear You | Donnie Iris | B Minor | 8 | 10A | 119 BPM | ||
| Love Stinks | The J. Geils Band | C Major | 4 | 8B | 90 BPM | ||
| Gemini Dream | The Moody Blues | B♭ Major | 8 | 6B | 129 BPM | ||
| Dream Weaver | Gary Wright | E Major | 4 | 12B | 140 BPM | ||
| Blue Collar Man (Long Nights) | Styx | D Minor | 6 | 7A | 124 BPM | ||
| Take It As It Comes | Steve Winwood | C Major | 6 | 8B | 113 BPM | ||
| Freedom Overspill | Steve Winwood | D Minor | 6 | 7A | 95 BPM | ||
| On The Loose | Saga | B♭ Major | 8 | 6B | 135 BPM | ||
| Turn And Walk Away - 2022 Remaster | The Babys | A Major | 8 | 11B | 146 BPM | ||
| Fascination - Extended Remix | The Human League | C Major | 5 | 8B | 119 BPM | ||
| Promises In The Dark | Pat Benatar | F Major | 7 | 7B | 158 BPM | ||
| Sushi Girl | The Tubes | D Major | 7 | 10B | 140 BPM | ||
| Round and Round | Frozen Ghost | E Minor | 7 | 9A | 164 BPM | ||
| The Salt In My Tears | Martin Briley | A Major | 7 | 11B | 121 BPM | ||
| Nicole | Point Blank | B Major | 8 | 1B | 174 BPM | ||
| Turn Me On | The Tubes | D Major | 9 | 10B | 173 BPM | ||
| I Didn't Mean To Turn You On | Robert Palmer | F Minor | 5 | 4A | 121 BPM | ||
| Higher Love | Steve Winwood | F Major | 8 | 7B | 99 BPM | ||
| Sausalito Summernight | Diesel | A♭ Major | 9 | 4B | 126 BPM | ||
| Shadows Of The Night | Pat Benatar | F♯ Major | 7 | 2B | 112 BPM | ||
| Doctor! Doctor! | Thompson Twins | D♭ Minor | 9 | 12A | 140 BPM | ||
| Bears | Zebra | D Major | 9 | 10B | 130 BPM | ||
| The Finer Things | Steve Winwood | D Minor | 7 | 7A | 125 BPM |