Robert Sharples, Leslie Bridgemont's ' "Passing The Time" was released on its scheduled release date, January 1, 1977. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 21 in Dance Crazes / Showtime by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Passing The Time's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Passing The Time by Robert Sharples, Leslie Bridgemont is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Second Suite for Band: Latino-Mexicana I. Son Montuno - Recording at Fumon Hall, Tokyo, 1981 | Tokyo Kosei Wind Orchestra, Alfred Reed | G Minor | 3 | 6A | 123 BPM | ||
| Original Rags | New England Ragtime Ensemble | G Major | 3 | 9B | 165 BPM | ||
| The Commanding Heights | Robert Sharples | G Major | 3 | 9B | 50 BPM | ||
| Serenade to Youth | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 121 BPM | ||
| Onde | Piero Piccioni | C Minor | 1 | 5A | 112 BPM | ||
| Gloria's Theme (from 'Butterfield 8') | David Rose & His Orchestra | C Minor | 4 | 5A | 71 BPM | ||
| Valse Concertant | Delle Haensch, Hans Conzelmann | F Major | 2 | 7B | 152 BPM | ||
| H.M.S. Pinafore / Act 1: We shall sail the ocean blue | Arthur Sullivan, The D'Oyly Carte Opera Company, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 3 | 8B | 100 BPM | ||
| Joplin: The Cascades | New England Conservatory Ragtime Ensemble | E Major | 5 | 12B | 103 BPM | ||
| H.M.S. Pinafore: Overture | Arthur Sullivan, The New Symphony Orchestra Of London, Isidore Godfrey | E♭ Major | 3 | 5B | 137 BPM | ||
| National Emblem | Wurlitzer 157 Carousel Organ | G Major | 3 | 9B | 114 BPM | ||
| So Long, Dearie (from the Broadway musical "Hello, Dolly!") | The Melachrino Strings and Orchestra | E♭ Major | 3 | 5B | 122 BPM | ||
| Descent of the Grimkin Night | Sai Ma, Heartopia, XD | C Minor | 1 | 5A | 112 BPM | ||
| Overture: At Long Last Love / You're the Top / I Get a Kick Out of You / It's De-Lovely / Just One of Those Things | Cole Porter | A♭ Major | 1 | 4B | 103 BPM | ||
| Prelude: The Wispering Valley | Silvia Capova, Slovak Radio Symphony Orchestra, Ronald Binge | G Major | 1 | 9B | 143 BPM | ||
| Blood in the Gutter | Laurie Johnson | B♭ Major | 3 | 6B | 83 BPM | ||
| Beachcomber | Clive Richardson, RTE Concert Orchestra, Ernest Tomlinson | A Minor | 0 | 8A | 115 BPM | ||
| And the Band Played On | The Gaslight Orchestra | C Major | 3 | 8B | 72 BPM | ||
| Little Miss Molly | Robert Farnon, Slovak Radio Symphony Orchestra, Adrian Leaper | G Major | 1 | 9B | 77 BPM | ||
| Laughter Echoes | Halariaa | G Minor | 6 | 6A | 106 BPM | ||
| Keep Smiling - Remastered | Manfred Minnich, Manfred Minnich Strings | C Major | 7 | 8B | 123 BPM | ||
| The Sanctuary of the Heart | Ketelbey, The New Symphony Orchestra Of London, Robert Sharples | G Minor | 4 | 6A | 85 BPM | ||
| Bells across the Meadows | Albert Ketèlbey, New Symphony Orchestra, Robert Sharples | E♭ Major | 2 | 5B | 59 BPM | ||
| High Life - Remastered | Gerhard Narholz, The Gerhard Narholz Orchestra | B♭ Major | 7 | 6B | 180 BPM | ||
| Bells Across the Meadows | Ketelbey, The New Symphony Orchestra Of London, Robert Sharples | G Major | 3 | 9B | 84 BPM |