APOC's 'Slave To The Madness - Instrumental' had a release date set for January 30, 2026. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 2 in the song's album "Slave To The Madness". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. The popularity of Slave To The Madness - Instrumental is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Slave To The Madness - Instrumental by APOC having a BPM of 165 with a half-time of 82 BPM and a double-time of 330 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Phoenix | Enemy Inside | G Minor | 10 | 6A | 110 BPM | ||
| Paralyzed | ALESTI, James Deberg | F Minor | 9 | 4A | 82 BPM | ||
| Halo | Savage Hands | C Minor | 10 | 5A | 155 BPM | ||
| Ножи | Hangover Carousel | C Minor | 7 | 5A | 92 BPM | ||
| Middle of a Breakdown | Cyan Kicks | D♭ Major | 9 | 3B | 131 BPM | ||
| In the End | Smash Into Pieces, ER, Samuel Ericsson, APOC | E♭ Minor | 9 | 2A | 105 BPM | ||
| Stars Never Fade | Cyan The Hedgehog | B♭ Minor | 7 | 3A | 97 BPM | ||
| TOKSIK | STARSET | F Minor | 8 | 4A | 85 BPM | ||
| Something Different | Zero Theorem | B Minor | 10 | 10A | 95 BPM | ||
| Reset Restart | Sakoya | A Minor | 9 | 8A | 135 BPM | ||
| Dying Light | Micah Ariss | F♯ Major | 9 | 2B | 143 BPM | ||
| Broken Man | ENMY | B Minor | 9 | 10A | 75 BPM | ||
| Break Away | Memory of a Melody | D♭ Minor | 9 | 12A | 149 BPM | ||
| Living Fiction | Young Medicine | D♭ Minor | 9 | 12A | 135 BPM | ||
| Player 1 | Kalebae Music | D Minor | 5 | 7A | 136 BPM | ||
| Fearless | From the Ash | D♭ Major | 9 | 3B | 128 BPM | ||
| Solace in Solitude | Ricardo Abyssal | C Major | 7 | 8B | 142 BPM | ||
| The Source | No Sleep for Lucy | C Major | 8 | 8B | 95 BPM | ||
| Demons | We Are the Catalyst | A♭ Minor | 6 | 1A | 170 BPM | ||
| JUST A MAN | BLUECHAIN | A♭ Minor | 6 | 1A | 148 BPM | ||
| God, Demon, Machine | Rave The Reqviem | F Major | 9 | 7B | 195 BPM | ||
| Barely Breathing (feat. Against The Current) | From Ashes to New, Against The Current, Chrissy Costanza | F Major | 9 | 7B | 98 BPM | ||
| Freaking Me Out | ANTITYPE | B Minor | 8 | 10A | 120 BPM | ||
| Nice To Know | Smokey September | E Minor | 6 | 9A | 146 BPM | ||
| This Is Who I Am | Diztord | B Minor | 8 | 10A | 92 BPM |