"Leaving Day" by Christopher Willis had its release date on January 17, 2020. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Leaving Day's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "The Personal History of David Copperfield (Original Motion Picture Soundtrack)". In this album, this song's track order is #19. Based on our statistics, Leaving Day's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Leaving Day by Christopher Willis having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lost Among Living Roots | Steffen Schmidt | D Major | 0 | 10B | 175 BPM | ||
| Trampas Permitidas | Sirenas Celestiales | F Minor | 1 | 4A | 75 BPM | ||
| Pretty Extraordinary Things | Kevin Smuts | B Minor | 0 | 10A | 93 BPM | ||
| Faith Under the Rubble (from Babylon in the Sands) | Toshifumi Hinata | F♯ Major | 3 | 2B | 67 BPM | ||
| Healthy Atmosphere - Original Mix | Elara Lilara | C Major | 0 | 8B | 83 BPM | ||
| Bandits' Expanse | Jeremy Soule | C Major | 0 | 8B | 83 BPM | ||
| Nightingale | Thomas J. Curran, The Budapest Scoring Orchestra | F Minor | 2 | 4A | 78 BPM | ||
| Cliff Tops | Samuel Sim | F Major | 2 | 7B | 127 BPM | ||
| Peligros | Armonias | A Major | 6 | 11B | 120 BPM | ||
| You Knew My Heart | O.R.S.M | G Minor | 1 | 6A | 134 BPM | ||
| Lucy, Charlotte And Miss Lavish See The City | Richard Robbins, Richard Robbins And Orchestra, Orchestra | F Major | 1 | 7B | 84 BPM | ||
| Obras de Fe | Sirenas Celestiales | E♭ Major | 1 | 5B | 82 BPM | ||
| Breathless Suspense | Christopher Willis | D Major | 5 | 10B | 114 BPM | ||
| The Emperor's Despair I | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | A Major | 3 | 11B | 96 BPM | ||
| Harvest Sandalwood | Christopher Willis | F♯ Major | 3 | 2B | 146 BPM | ||
| This Is Neverland - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | A Minor | 1 | 8A | 88 BPM | ||
| David's Writings | Christopher Willis | D♭ Minor | 4 | 12A | 92 BPM | ||
| Mother and Calf: The Great Journey | George Fenton | F Minor | 1 | 4A | 119 BPM | ||
| City of Swindlers | Fredrik Jonasson | F Major | 3 | 7B | 84 BPM | ||
| Hollow in the Ferns | Craig Armstrong | D Minor | 1 | 7A | 85 BPM | ||
| Mission Extreme - Instrumental Version | Tony Clarke, Christopher Willis | G Minor | 6 | 6A | 95 BPM | ||
| Of Kites and Concertinas | Christopher Willis | D♭ Minor | 2 | 12A | 97 BPM | ||
| Private Lives | John Lunn | A Minor | 3 | 8A | 165 BPM | ||
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| The Newly Weds | Patrick Doyle | D Major | 1 | 10B | 79 BPM |