"Buena Hora, Buenos Vientos" by Jan Garbarek had its release date on October 1, 1990. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jan Garbarek's "I Took Up The Runes" album is number 9 out of 10. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Buena Hora, Buenos Vientos is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Buena Hora, Buenos Vientos by Jan Garbarek to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Caravan moving | Ketil Bjørnstad | A Minor | 3 | 8A | 113 BPM | ||
| Praise To You, Lord Jesus Christ | Joel Ross | C Minor | 0 | 5A | 104 BPM | ||
| Urban Shadow | Manu Katché | D Minor | 0 | 7A | 74 BPM | ||
| Surb, surb | Jan Garbarek, David James, Rogers Covey-Crump, Steven Harrold, Gordon Jones, Komitas, The Hilliard Ensemble | D Major | 1 | 10B | 138 BPM | ||
| In My Garage | Esbjörn Svensson Trio | F Minor | 6 | 4A | 100 BPM | ||
| Lomsha | Hadouk Trio, Didier Malherbe, Loy Ehrlich | D Minor | 2 | 7A | 126 BPM | ||
| Keep On Trippin’ | Manu Katché | D♭ Major | 3 | 3B | 107 BPM | ||
| Most Holy Mother of God | Arvo Pärt, Jan Garbarek, The Hilliard Ensemble | F♯ Major | 0 | 2B | 85 BPM | ||
| Coffee Club | Aoife Ní Bhriain, Cormac McCarthy | D Major | 2 | 10B | 83 BPM | ||
| After Memory - Live | Eleni Karaindrou, Kim Kashkashian, Jan Garbarek, Vangelis Christopoulos | F♯ Minor | 0 | 11A | 116 BPM | ||
| La Mi Re | Thomas Preston, David Orlowsky, David Bergmüller | F Minor | 0 | 4A | 173 BPM | ||
| Je suis toujours | Michel Bisceglia, Didier François, Markku Ounaskari | D Minor | 0 | 7A | 118 BPM | ||
| Natsukashii | Helge Lien Trio | C Major | 0 | 8B | 67 BPM | ||
| Scream (1986) | Eleni Karaindrou, Jan Garbarek, Tassos Diakoyiorgis, String Orchestra | B Minor | 1 | 10A | 80 BPM | ||
| Canción Y Danza VI | Bobo Stenson Trio | A♭ Minor | 1 | 1A | 114 BPM | ||
| Fountain Of Tears | Jan Garbarek, Bobo Stenson, Terje Rypdal, Arild Andersen, Jon Christensen | C Minor | 0 | 5A | 104 BPM | ||
| Gula Gula | Jan Garbarek | G Minor | 1 | 6A | 158 BPM | ||
| Mine own king am I and Joel (Arr. for Baroque Ensemble by Tineke Steenbrink) | Eric Vloeimans, Holland Baroque | A Minor | 0 | 8A | 121 BPM | ||
| Doors Open | Aaron Parks | G Major | 2 | 9B | 130 BPM | ||
| Gnossienne No. 4 | Jacques Loussier Trio | D Minor | 0 | 7A | 69 BPM | ||
| Life And Death | Avishai Cohen | A Minor | 1 | 8A | 107 BPM | ||
| Jesu, meine Freude / Jesus, det eneste | Tord Gustavsen Trio | B Minor | 1 | 10A | 81 BPM | ||
| Gnossienne No. 3 | Jacques Loussier Trio | D Minor | 4 | 7A | 83 BPM | ||
| Theme from Schindler's List | David Helbock | G Minor | 1 | 6A | 130 BPM | ||
| Staying There | Tord Gustavsen Quartet | F Minor | 2 | 4A | 130 BPM |