On September 15, 1990, the song "I Get Along Without You Very Well" was released by Mary Coughlan. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. I Get Along Without You Very Well's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Uncertain Pleasures". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, I Get Along Without You Very Well is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With I Get Along Without You Very Well by Mary Coughlan having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Into My Arms | Shelby Lynne, Allison Moorer | C Major | 3 | 8B | 91 BPM | ||
| Galileo (Someone Like You) | Declan O'Rourke | A Major | 3 | 11B | 79 BPM | ||
| Show Me The Place | The Webb Sisters | B♭ Major | 1 | 6B | 114 BPM | ||
| Then You Know | Declan O'Rourke | A Major | 2 | 11B | 142 BPM | ||
| Shades of Gloria | Maura O'Connell | A♭ Major | 3 | 4B | 108 BPM | ||
| Gypsy | Suzanne Vega | A Major | 2 | 11B | 138 BPM | ||
| I Never Learned French | Josienne Clarke and Ben Walker | B Major | 2 | 1B | 138 BPM | ||
| Forward Bound | Mary Coughlan | E Minor | 8 | 9A | 111 BPM | ||
| You Send Me | Fairground Attraction | C Major | 1 | 8B | 172 BPM | ||
| I Eat Dinner | Kate & Anna McGarrigle | B Minor | 1 | 10A | 135 BPM | ||
| Galileo | Declan O'Rourke | A Major | 3 | 11B | 77 BPM | ||
| Come Let Me Out | Sinéad Lohan | B♭ Major | 2 | 6B | 157 BPM | ||
| Seduced | Mary Coughlan | D Major | 1 | 10B | 97 BPM | ||
| Compared With You (Your Eyes Don't Seem to Age) | Steve Harley | G Major | 3 | 9B | 118 BPM | ||
| Never Be The Sun | Dolores Keane | C Major | 1 | 8B | 74 BPM | ||
| In a Broken Dream | Kathryn Williams | F♯ Minor | 2 | 11A | 75 BPM | ||
| As the Dawn Breaks | Richard Hawley | A Major | 0 | 11B | 72 BPM | ||
| At Seventeen | Emma Langford | D Major | 3 | 10B | 121 BPM | ||
| Whiskey Didn't Kill the Pain | Mary Coughlan | F Major | 5 | 7B | 154 BPM | ||
| Magic Nights In The Lobby Bar | John Spillane | D Major | 3 | 10B | 174 BPM | ||
| The Wind That Shakes the Barley | Lumiere | B Minor | 8 | 10A | 104 BPM | ||
| In Your House There | Jane Willow, Pat Byrne | F Minor | 7 | 4A | 117 BPM | ||
| The Seduction of Eve | Emma Langford | D♭ Major | 2 | 3B | 81 BPM | ||
| Matapedia | Kate & Anna McGarrigle | D Major | 7 | 10B | 183 BPM | ||
| What If I Do | Mary Coughlan | F♯ Major | 4 | 2B | 169 BPM |