"Absolutely Relative" by Marc Teitler had its release date on October 31, 2025. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Absolutely Relative's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Secret Agent". In this album, this song's track order is #12. Based on our statistics, Absolutely Relative's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Absolutely Relative by Marc Teitler having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| See Everything | Eudorise | E Major | 9 | 12B | 132 BPM | ||
| Toda al Hakol - Mvt IV | Asaf Sagiv, Suzanne Waters, Kelci Hahn, First Dome Chamber Choir, Jenny Wong | D♭ Major | 0 | 3B | 48 BPM | ||
| Gnossienne no. 3 | Romi Kopelman | A Minor | 2 | 8A | 172 BPM | ||
| When It All Began | Hoams | E♭ Minor | 1 | 2A | 87 BPM | ||
| Cassian Rising | Nick Pike | E♭ Major | 3 | 5B | 92 BPM | ||
| What Life Gifts | Rebekah Reid | G Major | 3 | 9B | 127 BPM | ||
| Entrance (Traveler’s Log 01) / Whale Overture | Gabríel Ólafs, Hera Hilmar | F♯ Major | 1 | 2B | 65 BPM | ||
| You Thought You Got Away With It | Finneas O'Connell, Attacca Quartet | D♭ Major | 0 | 3B | 65 BPM | ||
| Paradise Lost | Tim Phillips, Marc Teitler | F♯ Major | 1 | 2B | 100 BPM | ||
| En Manos Enemigas | Formas Correctas | C Major | 3 | 8B | 120 BPM | ||
| Bridge to Nowhere | Marc Teitler, Bernd Wuertz, Ayu Okakita | C Minor | 7 | 5A | 177 BPM | ||
| Un Vals Eterno | Francisco Javier Guzman, Brosky TSW | C Minor | 3 | 5A | 137 BPM | ||
| Love and Lies | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | A Major | 3 | 11B | 96 BPM | ||
| Lost Opportunities | Kepa Lehtinen | B♭ Major | 0 | 6B | 90 BPM | ||
| Pilgrimage Song - Acoustic | Marina Ortega Mira, William Bourassa Bennett | D Minor | 1 | 7A | 110 BPM | ||
| For Elise | Austin Ray, April Chung | A Minor | 3 | 8A | 152 BPM | ||
| Doubts | Anna Dager, Hanna Ekström | D Minor | 4 | 7A | 80 BPM | ||
| Everywhere | Sofi Paez | D♭ Minor | 0 | 12A | 74 BPM | ||
| Rose | Chloé Antoniotti | E♭ Major | 2 | 5B | 104 BPM | ||
| Pan's Labyrinth Lullaby - Violin&Piano Version | Cahangir Suleymanov | C Minor | 1 | 5A | 175 BPM | ||
| Luminar del Ocaso | Fernando Reyes | F♯ Minor | 3 | 11A | 84 BPM | ||
| Ocean of Hope | Anna Dager, Hanna Ekström | C Major | 1 | 8B | 100 BPM | ||
| Storyteller Pizzicato Cello | Rafael Krux | D Minor | 3 | 7A | 110 BPM | ||
| Starlight & Mist - Una Corda arrangement | Marc Teitler | A Major | 4 | 11B | 142 BPM | ||
| The Company Was Good To Us | Marina Ortega Mira | E♭ Major | 3 | 5B | 92 BPM |