On June 30, 2010, the song "Bach Paritita in Dm" was released by Paul Gilbert. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 13 in Fuzz Universe by Paul Gilbert. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Bach Paritita in Dm is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Bach Paritita in Dm by Paul Gilbert is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| If Beethoven Were a Metal Bassist... | Charles Berthoud | C Minor | 9 | 5A | 148 BPM | ||
| Tunnel Vision | John Petrucci | E Major | 9 | 12B | 119 BPM | ||
| The Beacon | Joe Stump | B♭ Minor | 9 | 3A | 118 BPM | ||
| Krakkor | Aelric Varn | A♭ Minor | 7 | 1A | 129 BPM | ||
| Terminal Velocity | John Petrucci | E Major | 10 | 12B | 95 BPM | ||
| Desiderata | Greg Howe | F♯ Minor | 2 | 11A | 144 BPM | ||
| The Answer | Richie Kotzen | G Major | 4 | 9B | 79 BPM | ||
| Moonlight Sonata, 3rd movement (Beethoven) | Dan Mumm | F♯ Minor | 10 | 11A | 153 BPM | ||
| Training Montage | Martin Miller | B Minor | 5 | 10A | 78 BPM | ||
| Chuva e Sol | T. S. C., Katú Tavares | B Minor | 5 | 10A | 78 BPM | ||
| Groove or Die | Andy Timmons | D♭ Major | 9 | 3B | 130 BPM | ||
| Anatomy of a Beatdown | Cosmosquad | G Major | 7 | 9B | 172 BPM | ||
| Technical Difficulties | Racer X | E Minor | 9 | 9A | 120 BPM | ||
| Reach | Andy Wood | E Minor | 7 | 9A | 114 BPM | ||
| 11th Hour | Andy Wood | D Major | 10 | 10B | 156 BPM | ||
| The Stranger | Tony MacAlpine | G Major | 9 | 9B | 87 BPM | ||
| The Washing Away of Wrong | John 5 | F♯ Minor | 10 | 11A | 138 BPM | ||
| Maximilian | Merrow | B♭ Major | 10 | 6B | 110 BPM | ||
| Dick Plays the Blues | Daniele Gottardo | C Major | 8 | 8B | 120 BPM | ||
| XV | Jason Richardson, Luke Holland | F Minor | 7 | 4A | 78 BPM | ||
| matrimonio | BreakCloud | B Minor | 5 | 10A | 78 BPM | ||
| Gimme a Dose | Marty Friedman | E Minor | 10 | 9A | 180 BPM | ||
| Lost in Suburbia | Nili Brosh | F Major | 9 | 7B | 160 BPM | ||
| Tumeni Notes | Steve Morse | C Major | 9 | 8B | 105 BPM | ||
| Space Crickets | Michael Lee Firkins | D♭ Minor | 9 | 12A | 144 BPM |