"God's Lonely Man - Album Version, With Alternate Ending" by Bernard Herrmann had its release date on 1976. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. God's Lonely Man - Album Version, With Alternate Ending's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Taxi Driver". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. In terms of popularity, God's Lonely Man - Album Version, With Alternate Ending is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With God's Lonely Man - Album Version, With Alternate Ending by Bernard Herrmann having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Redemption, Pt. 3 | Andrew Hale, Simon Hale | C Minor | 1 | 5A | 71 BPM | ||
| Theme from Taxi Driver | Bernard Herrmann, Dave Blume | F Major | 4 | 7B | 164 BPM | ||
| The Thing | John Carpenter | F Minor | 2 | 4A | 107 BPM | ||
| Hell Ensemble | Ryuichi Sakamoto, alva noto | B Minor | 1 | 10A | 131 BPM | ||
| Körtánc, Pt. 2 - From "Sátántangó" | Víg Mihály | E Major | 2 | 12B | 86 BPM | ||
| Silvano: Barcarola | Pietro Mascagni, Teatro Lirico Orchestra, Tiziano Severini | E Major | 0 | 12B | 128 BPM | ||
| L'amour la mort - Bande originale du film "À bout de souffle" | Martial Solal | C Major | 2 | 8B | 117 BPM | ||
| Incontro la contessa | Bruno Nicolai, Edda Dell'Orso | E Minor | 0 | 9A | 80 BPM | ||
| Alleyway | Punch-Drunk Love | C Major | 2 | 8B | 90 BPM | ||
| Overture (Ship) | Daniel Blumberg | A Minor | 4 | 8A | 126 BPM | ||
| Romance Apocalypse | Oneohtrix Point Never | G Major | 3 | 9B | 171 BPM | ||
| Curse Your Name / Dirty Weather | Mark Korven | B♭ Minor | 1 | 3A | 72 BPM | ||
| Threnody to the Victims of Hiroshima | Krzysztof Penderecki, Cracow Philharmonic Orchestra, Wojciech Czepiel | F Major | 3 | 7B | 58 BPM | ||
| Tai Chi | Oliver Coates | A Major | 3 | 11B | 149 BPM | ||
| Bright Air | SQÜRL | F Major | 1 | 7B | 139 BPM | ||
| More Steps | Jeff Russo | G Minor | 0 | 6A | 173 BPM | ||
| Puppet Love (From "Being John Malkovich") | Brussells Philharmonic, Dirk Brossé | E Minor | 2 | 9A | 138 BPM | ||
| School Play | Daniel Lopatin | B♭ Minor | 6 | 3A | 148 BPM | ||
| Miniature No. 6 | Jette Mogensen | A♭ Major | 0 | 4B | 99 BPM | ||
| Late Evening In Jersey - From "Heat" | Brian Eno | D♭ Major | 2 | 3B | 134 BPM | ||
| Promociones | Almas Paralelas | E♭ Major | 3 | 5B | 109 BPM | ||
| The Scape | Daniel Lopatin | F Minor | 6 | 4A | 150 BPM | ||
| Main Title (from "Taxi Driver") | Bernard Herrmann | C Major | 2 | 8B | 80 BPM | ||
| Theme from "The Swimmer" (Send for Me In Summer) / Big Splash | Marvin Hamlisch | F Minor | 1 | 4A | 76 BPM | ||
| Predicted Death | Tarō Iwashiro | C Minor | 0 | 5A | 88 BPM |