"Francesca da Rimini, Op. 4, Act II: Che m'ho nell'occhio?" by Riccardo Zandonai, Adriano Graziani, Juan Orozco, Freiburger Kammerchor, Vokalensemble der Hochschule für Musik Freiburg, Extrachor des Theater Freiburg, Opernchor des Theater Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon had its release date on November 6, 2015. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Francesca da Rimini, Op. 4, Act II: Che m'ho nell'occhio?'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zandonai: Francesca da Rimini, Op. 4 by Riccardo Zandonai, Martin Mühle, Juan Orozco, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon. The song's track number on the album is #19 out of 49 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Francesca da Rimini, Op. 4, Act II: Che m'ho nell'occhio?'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act II: Che m'ho nell'occhio? by Riccardo Zandonai, Adriano Graziani, Juan Orozco, Freiburger Kammerchor, Vokalensemble der Hochschule für Musik Freiburg, Extrachor des Theater Freiburg, Opernchor des Theater Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Francesca da Rimini, Op. 4, Act II: Che m'ho nell'occhio? being at 132 BPM, the half-time would be 66 BPM with a double-time of 264 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Puccini: Turandot, Act 1: "Non piangere, Liù!" (Calaf, Liù, Timur) | Giacomo Puccini, Antonio Pappano, Ermonela Jaho, Jonas Kaufmann, Michele Pertusi, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Minor | 1 | 2A | 83 BPM | ||
| La Cenerentola / Act 1: "Venga, inoltri" - "Sapientissimo Alidoro" | Gioachino Rossini, William Matteuzzi, Alessandro Corbelli, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A♭ Major | 1 | 4B | 91 BPM | ||
| Donizetti: Don Pasquale, Act 2: "Via, da brava" (Malatesta, Norina, Pasquale) | Gaetano Donizetti, Riccardo Muti, Leo Nucci, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | E Major | 2 | 12B | 122 BPM | ||
| Francesca da Rimini, Op. 4, Act II, Scene 2: Paolo! Francesca! - Date il segno (Francesca, Paolo, Il Torregiano, Il Balestriere, Chorus) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt, Cheyne Davidson, Alexander Kravets, Kammerchor Sofia | B♭ Minor | 2 | 3A | 96 BPM | ||
| Lohengrin, WWV 75, Act I Scene 3: Durch Gottes Sieg ist jetzt dein Leben mein | Richard Wagner, Siegfried Jerusalem, Kurt Moll, Cheryl Studer, Waltraud Meier, Hartmut Welker, Wiener Staatsopernchor, Peter Burian, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 6 | 6B | 92 BPM | ||
| Norma / Act 1: Introduzione: Ite sul colle, o Druidi | Vincenzo Bellini, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | G Major | 2 | 9B | 94 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 6, Sanctus fortis, Sanctus Deus (Gerontius) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan Clayton | D Major | 2 | 10B | 86 BPM | ||
| Gianni Schicchi: "Ai miei cugioni Zita e Simone" | Giacomo Puccini, Ewa Podles, Enrico Fissore, Roberto Alagna, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | C Major | 0 | 8B | 97 BPM | ||
| Les Contes d'Hoffmann / Act 4: Hélas, mon coeur s'égare encore | Jacques Offenbach, Plácido Domingo, Justino Diaz, Edita Gruberova, Claudia Eder, Richard van Allan, Paul Crook, Choeur de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | D Major | 2 | 10B | 127 BPM | ||
| Tosca, Act II: Se la giurata fede | Giacomo Puccini, Eleonora Buratto, Ludovic Tezier, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Cavalleria rusticana: Part I: Il cavallo scalpita (Alfio, Chorus, Lucia, Santuzza) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 3 | 8B | 116 BPM | ||
| Puccini: Turandot, Act 1: "Perché tarda la luna?" (Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | F♯ Minor | 0 | 11A | 78 BPM | ||
| La fille du régiment / Act 1: Sacré nom d'une pipe! | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 62 BPM | ||
| La Sonnambula / Act 1: D'un pensiero e d'un accento | Vincenzo Bellini, Dame Joan Sutherland, Sylvia Stahlman, Margreta Elkins, Nicola Monti, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | ||
| Don Pasquale - What an Interminable Coming and Going | Gaetano Donizetti, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Otmar Suitner | B♭ Major | 1 | 6B | 139 BPM | ||
| I cavalieri di Ekebu: Vi går tillsammans | Lars Cleveman, Malena Karlsson, Riccardo Zandonai, A. Rossato, M. Lindman | A Major | 1 | 11B | 100 BPM | ||
| Lucrezia Borgia: Prologue: Com'e bello! quale incanto (Lucrezia, Don Alfonso, Rustighello) | Gaetano Donizetti, Dimitra Theodossiou, Roberto De Biasio, Enrico Giuseppe Iori, Nidia Palacios, Luigi Albani, Giuseppe Di Paola, Mauro Corna, Livio Scarpellini, Giovanni Manfrin, Luca Dall'Amico, Dario Giorgele, Bergamo Musica Festival Chorus, Bergamo Mu | E♭ Major | 0 | 5B | 88 BPM | ||
| Francesca da Rimini, Op. 4, Act I, Scene 6: Che fai qui, manigoldo? (Ostasio, Il Giullare) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Danilo Rigosa, David Cale Johnson | D♭ Major | 2 | 3B | 123 BPM | ||
| L'elisir d'amore / Act II: Quanto amore! Ed io spietata! | Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 107 BPM | ||
| Rossini: Guillaume Tell, Act 1 Scene 2: "Près des torrents qui grondent" (Melchthal, Guillaume, Jemmy, Hedwige, Arnold, Ruodi, Chorus) | Gioachino Rossini, Marie-Nicole Lemieux, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 7 | 9B | 78 BPM | ||
| Puccini: Tosca, Act 1: "È buona la mia Tosca" (Cavaradossi, Angelotti) | Giacomo Puccini, Victor de Sabata, Franco Calabrese, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano | C Minor | 2 | 5A | 78 BPM | ||
| Saint-Saëns: Samson et Dalila, Act 2: "Samson, recherchant ma présence...Amour! viens aider ma faiblesse!" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | A♭ Major | 2 | 4B | 83 BPM | ||
| Francesca da Rimini, Act I: Francesca, dove andrai? (Live) | Riccardo Zandonai, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Anna Gasparini, Leyla Gencer, Franco Capuana | G Minor | 0 | 6A | 139 BPM | ||
| La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?" | Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | F Minor | 0 | 4A | 167 BPM | ||
| Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto) | Pietro Mascagni, Fiorenza Cossotto, Gian Giacomo Guelfi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 103 BPM |