YUI's 'TOKYO - From THE FIRST TAKE' had a release date set for November 16, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since TOKYO - From THE FIRST TAKE only contains only one song in the album, we like to consider this song as a single. In terms of popularity, TOKYO - From THE FIRST TAKE is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With TOKYO - From THE FIRST TAKE by YUI having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Good-bye days 〜YUI Acoustic Version〜 | YUI | D Major | 3 | 10B | 79 BPM | ||
| 十億年 | Sayuri | F♯ Major | 8 | 2B | 160 BPM | ||
| ピアス - Acoustic ver. | Atarayo | C Major | 8 | 8B | 147 BPM | ||
| N.E.O. - From THE FIRST TAKE | CHAI | A Major | 8 | 11B | 134 BPM | ||
| いのちの名前 | Ayaka Hirahara | C Major | 2 | 8B | 71 BPM | ||
| FAR | 植田真梨恵 | A Major | 6 | 11B | 120 BPM | ||
| 木綿のハンカチーフ - From THE FIRST TAKE | Ai Hashimoto | A Major | 2 | 11B | 110 BPM | ||
| クロスワード | Omoinotake | A Major | 3 | 11B | 118 BPM | ||
| 夜に駆ける - From THE FIRST TAKE | YOASOBI | C Minor | 9 | 5A | 115 BPM | ||
| 深い森 | Do As Infinity | F Minor | 3 | 4A | 80 BPM | ||
| Missing Piece -WwisH- | SennaRin | A Major | 3 | 11B | 140 BPM | ||
| 明日 | Ayaka Hirahara | G Major | 2 | 9B | 120 BPM | ||
| Sprite - From THE FIRST TAKE | OKAMOTO'S | B♭ Major | 8 | 6B | 178 BPM | ||
| 普通の毎日 | エルスウェア紀行 | F♯ Major | 6 | 2B | 156 BPM | ||
| 永遠のAria - From THE FIRST TAKE | Amamiya Sora | F♯ Minor | 8 | 11A | 164 BPM | ||
| Egoist: Theme of Deus Ex Machina | Wigley Vogtner, EGOIST, Yousei Teikoku, YUI | C Minor | 9 | 5A | 180 BPM | ||
| Deep River | Hikaru Utada | A♭ Major | 6 | 4B | 87 BPM | ||
| Join Us! - From THE FIRST TAKE | Little Glee Monster | A♭ Major | 8 | 4B | 122 BPM | ||
| ありがとうまたね | Happy Birthday | F♯ Minor | 5 | 11A | 144 BPM | ||
| 茨の海 | Chihiro Onitsuka | B♭ Minor | 3 | 3A | 164 BPM | ||
| よい朝を、いとしいひと (2026 remastering) | plenty | F♯ Minor | 5 | 11A | 120 BPM | ||
| a room | YUI | F Major | 6 | 7B | 112 BPM | ||
| Aitai - From THE FIRST TAKE | Miliyah | C Major | 4 | 8B | 144 BPM | ||
| 青春なんていらないわ - From THE FIRST TAKE | Sangatsu no Phantasia | D♭ Major | 4 | 3B | 125 BPM | ||
| 終わりへ向かう始まりの歌 | supercell | G Major | 2 | 9B | 87 BPM |