Mychael Danna's 'New Morning' had a release date set for 1999. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Mychael Danna's "Girl, Interrupted (Original Motion Picture Score)" album is number 14 out of 19. On top of that, United States appears to be the country where this track was created. New Morning is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of New Morning by Mychael Danna to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brideshead Revisited: No. 8, That First Visit | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
| The Lion Fell in Love with the Lamb (From "Twilight") | The City of Prague Philharmonic Orchestra | A Major | 1 | 11B | 76 BPM | ||
| Sophie - From "Close" Original Motion Picture Soundtrack | Valentin Hadjadj | F Minor | 0 | 4A | 180 BPM | ||
| The Uninvited | Christopher Young | G Minor | 1 | 6A | 114 BPM | ||
| In the World | Stephen Rennicks | A♭ Major | 1 | 4B | 71 BPM | ||
| Funny, Like Uncle Bub | Geoff Zanelli | F Major | 1 | 7B | 94 BPM | ||
| The Loss of Yours | Adrian Johnston | D Minor | 1 | 7A | 86 BPM | ||
| Unseen Tides | Rachel Portman | E Minor | 1 | 9A | 93 BPM | ||
| Ambivalence | Mychael Danna | E♭ Minor | 1 | 2A | 126 BPM | ||
| I Don’t Want You To Go | Dario Marianelli | A♭ Major | 1 | 4B | 100 BPM | ||
| Out Yonder Where The Crawdads Sing - From The Motion Picture “Where The Crawdads Sing” | Mychael Danna | C Major | 3 | 8B | 89 BPM | ||
| The Labyrinth | Javier Navarrete | C Minor | 1 | 5A | 66 BPM | ||
| Harry & Hermione | Nicholas Hooper | C Major | 0 | 8B | 90 BPM | ||
| Le Diable | Andrea Farri | G Major | 1 | 9B | 120 BPM | ||
| Law & Disorder | David Shire | E♭ Major | 2 | 5B | 72 BPM | ||
| The Man Who Wasn't There (The Trial of Ed Crane) | Brussells Philharmonic, Dirk Brossé | D Major | 2 | 10B | 107 BPM | ||
| Pennies For The Ferryman | Trevor Jones | D Minor | 1 | 7A | 116 BPM | ||
| Damaged | The Chamber Orchestra Of London | E Minor | 1 | 9A | 79 BPM | ||
| Cruel Mistress | Clint Mansell | G Minor | 0 | 6A | 97 BPM | ||
| Simple Harp | Martin Phipps, The Chamber Orchestra Of London | A Minor | 0 | 8A | 204 BPM | ||
| I'm With You | Trent Reznor and Atticus Ross | D Major | 0 | 10B | 120 BPM | ||
| The Fourth Of July - From The Motion Picture “Where The Crawdads Sing” | Mychael Danna | E Minor | 1 | 9A | 98 BPM | ||
| Sometimes People Just Die | George Fenton | D♭ Minor | 2 | 12A | 148 BPM | ||
| Love Eternal | Wojciech Kilar | B Minor | 0 | 10A | 87 BPM | ||
| Luminous Cantabile | Elena Vesova | E Minor | 0 | 9A | 62 BPM |