Michael Ray's 'Three Wooden Crosses - The Bootlegger Sessions' had a release date set for October 7, 2022. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Walkaway Joe (The Bootlegger Sessions) by Michael Ray. The song's track number on the album is #2 out of 4 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Three Wooden Crosses - The Bootlegger Sessions's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Three Wooden Crosses - The Bootlegger Sessions by Michael Ray has a tempo of 140 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Three Wooden Crosses - The Bootlegger Sessions being at 140 BPM, the half-time would be 70 BPM with a double-time of 280 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wanna Be That Song | Brett Eldredge | A Major | 7 | 11B | 144 BPM | ||
| Even If It Breaks Your Heart | Eli Young Band | C Major | 5 | 8B | 208 BPM | ||
| That's Why They Make Jack Daniels | Ronnie Dunn | E♭ Major | 8 | 5B | 146 BPM | ||
| For the Life of Me | Trent Tomlinson | C Major | 8 | 8B | 144 BPM | ||
| Drive | CHASE WRIGHT | B♭ Minor | 8 | 3A | 144 BPM | ||
| Ain't Nothing 'Bout You - with Brett Young | Brooks & Dunn, Brett Young | A♭ Minor | 8 | 1A | 97 BPM | ||
| Note to Self | Randy Houser | C Major | 5 | 8B | 90 BPM | ||
| On Tonight | Chase Rice | A♭ Major | 8 | 4B | 100 BPM | ||
| Undone | Joe Nichols | A♭ Major | 8 | 4B | 80 BPM | ||
| Mind On You | George Birge | D♭ Major | 8 | 3B | 130 BPM | ||
| Front Seat | Rayne Johnson | F♯ Major | 5 | 2B | 142 BPM | ||
| Details | Billy Currington | F Major | 7 | 7B | 140 BPM | ||
| Worth It | Danielle Bradbery | F Major | 5 | 7B | 115 BPM | ||
| Craving You | Thomas Rhett, Maren Morris | A Minor | 8 | 8A | 105 BPM | ||
| It Don't Hurt Like It Used To | Billy Currington | A♭ Major | 8 | 4B | 81 BPM | ||
| Prob'ly At A Bar | Jon Langston | F♯ Major | 7 | 2B | 138 BPM | ||
| Finish Your Sentences | Carly Pearce, Michael Ray | D Major | 7 | 10B | 124 BPM | ||
| All On Me | Devin Dawson | F Major | 7 | 7B | 81 BPM | ||
| Better Than That | Matt Stell | A Minor | 9 | 8A | 158 BPM | ||
| Anywhere With You | Jake Owen | F Major | 9 | 7B | 152 BPM | ||
| That Ain't Me No More | Matt Stell | C Major | 8 | 8B | 152 BPM | ||
| If I Told You | Darius Rucker | A Major | 6 | 11B | 84 BPM | ||
| H.O.L.Y. | Florida Georgia Line | G Minor | 7 | 6A | 78 BPM | ||
| Good Girl, Bad Boy | Florida Georgia Line | F♯ Major | 9 | 2B | 140 BPM | ||
| Love You Like I Used To | Russell Dickerson | B♭ Major | 8 | 6B | 152 BPM |