Anton Arensky, Gennady Rozhdestvensky's 'Три мелодекламации, соч. 68: No. 1, Как хороши, как свежи были розы' had a release date set for January 1, 1980. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in Мелодекламации, so we believe that "Три мелодекламации, соч. 68: No. 1, Как хороши, как свежи были розы" is a single. The popularity of Три мелодекламации, соч. 68: No. 1, Как хороши, как свежи были розы is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Три мелодекламации, соч. 68: No. 1, Как хороши, как свежи были розы by Anton Arensky, Gennady Rozhdestvensky is Vivace (lively and fast), since this song has a tempo of 162 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Petite Suite: VI. Sérénade. Allegretto | Alexander Borodin, Marco Rapetti | B♭ Major | 1 | 6B | 93 BPM | ||
| Serenade, H. 23 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
| Variations on a Polish Folk Theme, Op. 10: Var. 6. Andante dolcissimo | Karol Szymanowski, Jonathan Fournel | B Major | 0 | 1B | 67 BPM | ||
| Serenade for Strings in E-Flat Major, Op. 6: III. Adagio | Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker Hartung | G Major | 0 | 9B | 73 BPM | ||
| Serse, HWV 40: Aria. Ombra mai fu "Largo" (arr. A. Wilhelmj for Violin & Piano) | George Frideric Handel, Livia Sohn, Benjamin Loeb | C Minor | 2 | 5A | 123 BPM | ||
| Nocturne in E Major | Alexei Stanchinsky, Olga Solovieva | A♭ Major | 2 | 4B | 86 BPM | ||
| Sonata for Violin and Piano in A: 3. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace) | César Franck, Kaja Danczowska, Krystian Zimerman | D Major | 0 | 10B | 81 BPM | ||
| Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | B Major | 0 | 1B | 119 BPM | ||
| Liebeslied, S. 566 (After Schumann's Op. 25 No. 1) | Franz Liszt, Kasparas Uinskas | A♭ Major | 1 | 4B | 69 BPM | ||
| 8 Pieces, Op. 39: No. 3, Berceuse | Reinhold Glière, Friedemann Eichhorn, Martin Rummel, Alexander Hülshoff | E Minor | 2 | 9A | 82 BPM | ||
| Caplet: Quintet for Piano & Winds, Op. 8: II. Adagio | André Caplet, Les Vents Français | F♯ Minor | 1 | 11A | 131 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: III. Allegro | Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez | F♯ Minor | 1 | 11A | 80 BPM | ||
| Lyric Pieces Book 7, Op. 62: No. 1, Sylph | Edvard Grieg, Stephen Hough | E Minor | 0 | 9A | 140 BPM | ||
| Piano Sonata in G Minor: II. Scherzo | Fanny Mendelssohn, Beatrice Rauchs | F♯ Major | 0 | 2B | 71 BPM | ||
| Piano Trio No. 1 in D minor, Op. 32: 4. Finale: Allegro non troppo - Andante - Adagio - Allegro molto | Anton Arensky, Beaux Arts Trio | F Major | 2 | 7B | 86 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Tears | Alexei Stanchinsky, Peter Jablonski | D Minor | 0 | 7A | 79 BPM | ||
| Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 96 BPM | ||
| Piano Quartet No. 1 in C Minor, Op. 15: II. Scherzo (Allegro vivo) | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
| Hummel: Viola Sonata in E-Flat Major, Op. 5 No. 3: II. Adagio cantabile | Johann Nepomuk Hummel, Gérard Caussé, François-René Duchâble, Françoise Garcin | B♭ Major | 0 | 6B | 82 BPM | ||
| Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
| Romance in C Major, Op. 48 | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 1 | 8B | 101 BPM | ||
| Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
| Cello Sonata No. 2, Op. 81: I. Allegro moderato | Nikolai Myaskovsky, Pavel Gomziakov, Andre Korobeinikov | A Minor | 1 | 8A | 107 BPM | ||
| Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM |